Bog-standard spy mystery with a gimmicky appeal: Anna at the Dorfman Theatre reviewed
Arts Council England takes money from almost all of us and spends it on culture for almost none of us.…
This Boris play only gets it half-right
The opening of Jonathan Maitland’s new play about Boris purports to be based on real events. Just before the referendum,…
Willy Loman would have been fine if he’d worked in a laundry: Death of a Salesman reviewed
Colour-blind casting is a denial of history. The Young Vic’s all-black version of Death of a Salesman asks us to…
A magnificent work of art (but don’t worry if you miss the first half-hour): Small Island reviewed
Small Island, based on Andrea Levy’s novel about Jamaican migrants in Britain, feels like the world’s longest book review. We…
One of the great whodunnits: Old Vic’s All My Sons reviewed
It starts on a beautiful summer’s morning in the suburbs of America. A prosperous middle-aged dad is chatting with his…
One of the most astonishing things I’ve ever seen in the theatre: A German Life reviewed
It starts at a secretarial college. The stage is occupied by a dignified elderly lady who recalls her pleasure at…
A gratifying evocation of 1960s sweets – but I wanted more: Toast reviewed
Nigel Slater is popular because he’s an exceptionally meek cook. Not for him the sprawling restaurant empire or the transatlantic…
Enjoyable but over-rated and elitist: Caryl Churchill’s Top Girls reviewed
Caryl Churchill’s best-known play, Top Girls, owes a large debt to 1970s TV comedy. It opens with a Pythonesque dinner…
An exceptional dystopia that’s made for TV: The Phlebotomist reviewed
The Phlebotomist by Ella Road explores the future of genetics. Suppose a simple blood test were able to tell us…
Has Bruce Norris bitten off more than he can chew?
Bruce Norris is a firefighter among dramatists. He runs towards danger while others sprint in the other direction. His Pulitzer-winning…
Watch Tom Hiddleston ruin Pinter’s finest play
No menace, no Venice. This new production of Pinter’s Betrayal is set on a bare stage with scant regard for…
Slow-moving tale with a strong echo of Brideshead: Alys, Always at the Bridge reviewed
Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead.…
Deserves its classic status: Jesus Hopped the ‘A’ Train at the Young Vic reviewed
Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis deserves its classic status. This wordy and highly cerebral play pulls…
A torpid seminar on why Trump is the Antichrist: Shipwreck reviewed
When reviewers call a work ‘important’ they mean ‘boring’ and ‘earnest’. And in those terms Shipwreck is one of the…
The worst Arthur Miller play I’ve ever seen
All About Eve is Cinderella steeped in acid rather than sugar. Eve, or Cinders, is a wannabe star who uses…
Danny Dyer is not so much an actor as a fairground attraction: Pinter Seven reviewed
The Dumb Waiter is a one-act play from 1957 that retains an extraordinary hold over the minds of theatre-goers. It’s…
Cost of Living at Hampstead Theatre isn’t a bad show – and it contains a star in the making
Hampstead has become quite a hit-factory since Ed Hall took over. His foreign policy is admirably simple. He scours New…
A winning hoax: When We Have Sufficiently Tortured Each Other reviewed
The NT’s new play is an update of Pamela, a sexploitation novel by Samuel Richardson. It opens with Stephen Dillane…
A facile indulgence: Pinter Six reviewed
The cast of Party Time includes John Simm, Celia Imrie, Ron Cook, Gary Kemp and other celebrities. They play a…
One masterpiece, one dud and one interesting rediscovery: Pinter Five reviewed
One masterpiece, one dud, and one interesting rediscovery. That’s Pinter Five. Victoria Station is a hilarious sketch which might have…
A masterpiece of pro-Trump propaganda: Sweat at the Donmar Warehouse reviewed
Sweat, set in the Pennsylvanian rust belt, looks at a blue-collar community threatened by a factory closure. The script uses…
‘Brexit unleased something monstrous’: James Graham interviewed
‘I try to interpret the most generous version of somebody’s actions,’ says the dramatist James Graham. This rare ability to…
A horror show that appeals to the intellect but not the gut: The Tell-Tale Heart reviewed
The Tell-Tale Heart is based on a teeny-weeny short story by Edgar Allan Poe. The full text appears in the…
I couldn’t wait to escape this opaque, witless horror show: True West reviewed
Sam Shepard was perhaps the gloomiest playwright ever to spill his guts into a typewriter. The popularity of his work…
![Carl Mullaney as a charismatic Dame in Lyric Hammersmith's Dick Whittington. [Photo: Tristram Kenton]](https://www.spectator.com.au/wp-content/uploads/2018/12/Theatre_1.jpg?w=410&h=275&crop=1)
Lyric Theatre’s Dick Whittington is the opposite of festive garbage
One of the biggest stars of the 1970s was the professional lard-bucket Mick McManus, who plied his trade as an…
