Remaking history
The Normal Heart is not about Aids. Larry Kramer’s play is set in New York in 1981 at a time…
A script to raise whirlwinds
Boy meets girl. Girl gets pregnant. Then the entire world collapses. That’s the story of Camp Siegfried, which is set…
Labour’s bid to lose the next election has begun
Sir Keir stamped the Labour conference with his personality today. And the mark he left was very bland, vague and…
Phantom thread
Blithe Spirit is a comedy with the plot of a horror story. Charles, a middle-aged novelist, lives happily with his…
Cold spell
Frozen the musical declares war on woke politics. The 2013 Disney movie has been turned into a song-and-dance show that…
Tsunami of piffle
Deep breath. Here goes. Winsome Pinnock’s new play about Turner opens with one of the most confusing and illogical scenes…
Rottweilers in frocks
It’s a rum beast the new Andrew Lloyd Webber musical. Cinderella is set in Belleville, a European city of 18th-century…
Screech, howl, yelp, crash
The new Lily Allen vehicle opens in a spruced-up terrace in the East End. Allen plays a self-satisfied yuppie, Jenny,…
What a farce
Lloyd Evans talks to Nigel Planer about the death of comedy theatre — and how he’s trying to revive it
Homeric levels of misery
The National Theatre has given Sophocles’s Philoctetes a makeover and a new title, Paradise. This must be ironic because the…
Still life
Lloyd Evans finds the newly returned Edinburgh Fringe quieter, more low-key — and all the better for it
Frankly terrific
Sinatra: Raw (Pleasance, until 15 August) takes us inside the mind of the 20th century’s greatest crooner. The performer, Richard…
Theatrical opium
Ian McKellen in his early eighties plays the Dane in his mid-twenties. A production with such a strange innovation should…
High-minded vs heartbreaking
It can be difficult to remember that Tennessee Williams, the great songster of the Deep South during the 1950s, was…
Escapist comedy at its very best
Lady Sylvia is a gorgeous aristocrat whose hand is sought by the charming Dorante whom she has never met. To…
Tasteless muddle
What shall we destroy next? Romeo & Julietseems a promising target and the Globe has set out to vandalise Shakespeare’s…
Bach to basics
Bach & Sons opens with the great composer tinkling away on a harpsichord while a toddler screeches his head off…
Stage fright
Uncertainty is crippling our cultural life
This will hurt
Before the National Theatre produced Dylan Thomas’s Under Milk Wood they had to make a decision. How could they stuff…
Corbyn: A deity has fallen
Jeremy Corbyn’s brand is slipping. Yesterday, supporters of his Peace and Justice movement joined a much larger demo in London…
Who goes there?
Death of a Black Man is a little-known script from the 1970s written by Alfred Fagon who suffered a fatal…
Divine comedy
Godot Is a Woman opens with three tramps standing on a bare stage beneath a solitary upright. This isn’t Samuel…
Kitsch tomfoolery
The latest movie to turn into a musical is Amélie, from 2001, about a Parisian do-gooder or ‘godmother of the…
Colour and confusion
Back to the Globe after more than a year. The theatre has zealously maintained its pre–Covid staffing levels. On press…
The arrival of Godot
A Russian Doll is a monologue about Putin’s campaign to swing the Brexit vote in his favour. It stars Rachel…
