Corpse! really is as good as everyone says it is
Here’s the problem. Much communication is done online, especially by youngsters, and much drama focuses on communication. So how do…
Unimpressive: The Prince of Egypt reviewed
The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So…
Comedy gold: The Upstart Crow at the Gielgud Theatre reviewed
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
Why foreign-language series will always have the edge over American ones
An office worker stands on the ledge of an open window about to leap. Two colleagues enter, ignoring him completely.…
A brilliant, unrevivable undertaking: Tom Stoppard’s Leopoldstadt reviewed
History will record Leopoldstadt as Tom Stoppard’s Schindler’s List. His brilliant tragic-comic play opens in the Jewish quarter of Vienna…
A terrific two-hander that belongs at the National: RSC's Kunene and the King reviewed
The Gift is three plays in one. It opens in a blindingly white Victorian parlour where a posh lady, Sarah,…
‘We will never return, there is no going back’: the Brexit Day party, as it happened
Remainers were there too. The first people I met at the Brexit Day festivities were opposed to the whole idea.…
Strong performances in a slightly wonky production: Uncle Vanya reviewed
Uncle Vanya opens with a puzzle. Is the action set in the early 20th century or right now? The furnishings…
Sweeping, sod-you comedy – irresistible: Billionaire Boy reviewed
Falling In Love Again features two of the 20th century’s best-known sex athletes. Ron Elisha’s drama covers a long drunken……
People expecting punishment won’t be disappointed: Almeida’s Duchess of Malfi reviewed
The Duchess of Malfi is one of those classics that everyone knows by name but not many have witnessed on…
Redneck twaddle: Young Vic’s Fairview reviewed
Fairview by Jackie Sibblies Drury won last year’s Pulitzer Prize. It deserves additional awards for promoting racial disharmony and entrenching…
Lily Allen to Newsnight: The 41 most annoying things in 2019
Lily Allen. Lights! Camera! Hanky! It’s been a vintage year for Twitter’s comedy genius. The needy pub-bore grumblings of Tony…
Full of fascinating data and excellent comedy: Messiah at Stratford Circus reviewed
I’ve joined the Black Panthers. At least I think I have. I took part in an induction ceremony at the…
All the world’s a stage: this election has echoes of Shakespeare and Dickens
The Christmas election has unfolded like a series of mini-dramas from panto, Dickens and other popular classics. Boris has come…
A flimsy tale of self-pity and thwarted ambition: Hunger at the Arcola reviewed
Oh my God. The Nazis have invaded the Arcola Theatre. Norwegian novelist Knut Hamsen won the Nobel Prize in 1920…
Punk spirit underpinned by darkness and horror: Richard III at the Sam Wanamaker Theatre reviewed
The history plays are different. In dramas like Othello, Hamlet and Much Ado, Shakespeare laid out the plot with great…
An astonishing treat: Dear Evan Hansen at the Noël Coward Theatre reviewed
Dear Evan Hansen, by Steven Levenson, opens as a standard American teen-angst musical. Evan is a sweaty geek with a…
Riveting and beautifully staged analysis of totalitarianism: Arcola’s #WeAreArrested reviewed
When the RSC does modern drama it usually lays on an ultra-worthy yarn with a huge cast, dozens of fancy…
The script’s a dud: Antipodes at the Dorfman Theatre reviewed
The Antipodes, by the acclaimed dramatist Annie Baker, is set in a Hollywood writers’ room. Seven hired scribblers are brainstorming…
Why the Royal Court is theatre’s answer to Islamic State
The Royal Court is the theatre’s answer to Islamic State, a conspiracy of nihilists fascinated with death, supported by groups…
A surefire international hit: Lungs reviewed
No power on earth can stop Lungs from becoming an international hit. Duncan Macmillan’s slick two-handed comedy reunites Matt Smith…
A 90-minute slog up to a dazzling peak: ‘Master Harold’… and the boys reviewed
Athol Fugard likes to dump his characters in settings with no dramatic thrust or tension. A prison yard is a…
A hoot from start to finish: The Man in the White Suit reviewed
The Man in the White Suit, famously, is a yarn about yarn. A brilliant young boffin stumbles across an everlasting…
Could Boris Johnson win an election but lose his seat?
Is Boris safe in Uxbridge? The Lib Dems have an eye on the Prime Minister’s 5000 vote majority and their…
Circus routine rather than theatre: Noises Off reviewed
Michael Frayn’s backstage comedy, Noises Off, is the theatre’s answer to Trooping the Colour. Everyone agrees that it’s an amazing…
