Royal ballet

There are passages of considerable eloquence in Royal Ballet’s The Winter’s Tale

11 May 2024 9:00 am

There’s no escaping Christopher Wheeldon – a modest, amiable fellow from Yeovil of whom anyone’s mum would be proud. Reaching…

Uninventive and far too polite: BRB’s Black Sabbath – The Ballet reviewed

21 October 2023 9:00 am

Not being an aficionado of the heavy-metal genre, I snootily suspected that I would rather be standing in the rain…

Same old, same old: Wayne McGregor’s Untitled, 2023, at the Royal Opera House, reviewed

17 June 2023 9:00 am

My witty friend whispered that Wayne McGregor’s new ballet Untitled, 2023 put her in mind of Google HQ – it’s…

One long moan of woe: Crystal Pite's Light of Passage, at the Royal Opera, reviewed

29 October 2022 9:00 am

I was moved and shaken by Crystal Pite’s Flight Pattern when I first saw it in 2017. In richly visualised…

Impressive interpretations marred by cuts: Scottish Ballet's The Scandal at Mayerling reviewed

30 April 2022 9:00 am

Sneer all you like at its prolixities and vulgarities but Kenneth MacMillan’s Mayerling remains a ballet that packs an exceptionally…

Why is dance so butch these days?

2 April 2022 9:00 am

For an art form that once boldly set out to question conventional divisions of gender, ballet now seems to be…

Liam Scarlett's enduring legacy: Royal Ballet's Swan Lake reviewed

19 March 2022 9:00 am

Without fanfare or apology, the Royal Ballet appears to have rehabilitated Liam Scarlett, but what a tragic balls-up it has…

The Nutcracker wasn’t always considered quite such a box of delights

18 December 2021 9:00 am

The enduring appeal of The Nutcracker. The ballet wasn’t always considered quite such a box of delights

Richly layered and intricate: Royal Ballet's The Dante Project reviewed

30 October 2021 9:00 am

Where does the artist end and their work begin? Like 2015’s Woolf Works, Wayne McGregor’s new ballet swirls creator and…

Swaggerific display of pumping chests and crotch-grabbing struts: NYDC's Speak Volumes reviewed

31 July 2021 9:00 am

Last week I attended a dance performance in person for the first time since March last year. If you’d asked…

At last some genuine gala material: Royal Ballet's Balanchine and Robbins reviewed

12 June 2021 9:00 am

The OED defines ‘gala’ as ‘a festive occasion’. In the ballet world this usually translates as a handful of stars,…

I miss the faint hiss of a spinning foot: Royal Ballet – Live reviewed

14 November 2020 9:00 am

Ballet lovers driven square-eyed by a drip feed of livestreaming and archive footage have been pining for the patter of…

The Royal Ballet's return was joyous – but the presenter was gushing and witless

17 October 2020 9:00 am

Mothballed since March when it danced a farewell Swan Lake, the Royal Ballet made a triumphant and joyous return to…

Sensual and silky: the Royal Ballet returns to Covent Garden

27 June 2020 9:00 am

Wayne McGregor’s Morgen! and Frederick Ashton’s Dance of the Blessed Spirits are the first pieces of live dance — streamed…

Rambert's latest uses the migrant crisis for superficial intrigue: Aisha and Abhaya reviewed

8 February 2020 9:00 am

The January dance stage can be a site of naked contrition. Like a tippler grasping at green juice after a…

From cartoons to stage design: the genius of Osbert Lancaster

30 November 2019 9:00 am

‘Bigger,’ said Sir Osbert Lancaster when asked the difference between his work for the page and for the stage. ‘Definitely…

Unsettlingly faithful to the spirit of Schiele: Staging Schiele reviewed

16 November 2019 9:00 am

‘Come up and see my Schieles.’ Those were the words that ended a friend’s fledgling relationship with an art collector.…

A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed

2 November 2019 9:00 am

Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…

Manon can be magnificent, this one was merely meh

19 October 2019 9:00 am

Manon: minx or martyr? There are two ways to play Kenneth MacMillan’s courtesan. Is Manon an ingénue, a guileless country…

Natalia Osipova, cursed with a frightful Ascot fascinator, a Halloween shock-wig of black pipe cleaners, in Medusa as the Royal Opera House Credit: ©ROH, 2019 Photograph by Tristram Kenton

Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades

18 May 2019 9:00 am

Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…

Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed

16 March 2019 9:00 am

Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…

Forget the Don – come for the Mataphwoar Ryoichi Hirano: Royal Ballet’s Don Quixote reviewed

23 February 2019 9:00 am

The trouble with Don Quixote is Don Quixote. Whenever the doddering, delusional Don is onstage, tilting at windmills, riding his…

January as you would wish it: Royal Ballet’s Les Patineurs reviewed

5 January 2019 9:00 am

The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…

Matthew Ball as Ted Feltham in the Royal Ballet's The Unknown Soldier. Photo: ROH, Helen Maybanks

Has the Royal Ballet found its hero?

1 December 2018 9:00 am

The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…