Sadler’s wells

Watching dance online is an advantage, not a concession: BalletBoyz – Deluxe reviewed

11 April 2020 9:00 am

Another day in isolation, another bid to find joy in my lone state-sanctioned walk. (Pro tip: stay out longer than…

Another triumph for Crystal Pite and Jonathon Young at Sadler’s Wells

14 March 2020 9:00 am

It must have been hard for Crystal Pite and Jonathan Young to live up to the success of 2016’s devastating…

Rambert's latest uses the migrant crisis for superficial intrigue: Aisha and Abhaya reviewed

7 February 2020 10:00 pm

The January dance stage can be a site of naked contrition. Like a tippler grasping at green juice after a…

A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed

2 November 2019 9:00 am

Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…

Nothing sings and shimmies like Alvin Ailey

14 September 2019 9:00 am

Hit them with your best shot? Or save the best till last? Almost 30 years after Alvin Ailey’s death in…

Daffy charm and diabolo tricks: Bolshoi’s The Bright Stream reviewed

17 August 2019 9:00 am

The Bright Stream is a ballet about a collective farm. Forget everything you know about collectivism — the failed harvests,…

Electrifying: English National Ballet’s She Persisted reviewed

13 April 2019 9:00 am

‘Where was the Kahlo brow?’ asked my guest in the first interval of English National Ballet’s She Persisted, a triple…

Dancer, choreographer, iconoclast: Merce Cunningham in 1962

A masterclass of menace and magnificence: Romeo and Juliet reviewed

6 April 2019 9:00 am

Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…

Odious, endless dross: Tanztheater Wuppertal Pina Bausch reviewed

2 March 2019 9:00 am

Please believe that I try to give every production my full attention, to do due diligence, to blink and miss…

January as you would wish it: Royal Ballet’s Les Patineurs reviewed

5 January 2019 9:00 am

The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…

Jill Johnson and Christopher Roman in William Forsythe’s Catalogue

William Forsythe on the day the US government threatened to arrest him

6 October 2018 9:00 am

William Forsythe has been called a lot of things in his four decades as a dancemaker: wilful provocateur, ‘pretentious as…

Akram Khan in Mirella Weingarten’s starkly stupendous set

A smidge of self-indulgence amid the power and grace: Akram Khan’s Xenos reviewed

9 June 2018 9:00 am

‘Comedy Sunil Lanba, Salman Quaraishi, Omar Syed…’ Names play from a crackling gramophone. We hear what they were before the…

How do these Shaolin monks square six shows a week with monking?

How do these Shaolin monks square six shows a week with monking?

14 April 2018 9:00 am

The Shaolin monks are no strangers to the stage. Their home in Dengfeng is a major stop on the Chinese…

Paying homage to the seated diva: a still from the 2016 documentary about La Chana

Louise Levene meets the tormented queen of flamenco, who bewitched Dali & Peter Sellers

3 March 2018 9:00 am

A frail old woman sits alone on a chair on a darkened stage. There are flowers in her hair. She…

The nymphs are hit and miss, but Osipova is a witty, multifaceted Sylvia: the Royal Ballet’s Sylvia reviewed

16 December 2017 9:00 am

You can pay homage to a ballet classic or you can tear it up and reinvent it. Both approaches were…

Wayne’s world

28 October 2017 9:00 am

Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…

Dancers of the Royal Ballet in Christopher Wheeldon’s Alice’s Adventures in Wonderland

Pretty vacant

7 October 2017 9:00 am

Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…

Bring on the dancing-girls: Follies at the Oliver

Age concern

16 September 2017 9:00 am

Stephen Sondheim’s Follies takes a huge leap into the past. It’s 1971 and we meet two middle-aged couples who knew…

Vile body: Steven McRae as the Creature in ‘Frankenstein’

The Royal Ballet is literally losing the plot

21 May 2016 9:00 am

If a football manager produces a string of losses, the writing is on the wall and out he goes. He’s…

Predictably meh: Scottish Ballet’s new Swan Lake reviewed

7 May 2016 9:00 am

Every ballet company wants a box-office earner. But why Scottish Ballet’s leader Christopher Hampson kept on at David Dawson until…

Millepied’s final spring programme for the Paris Opera Ballet is brazenly American

9 April 2016 9:00 am

Paris Opera Ballet plays hard to get. It doesn’t deign to travel all the way over here, thanks to a…

I felt the earth move just as before: Akram Khan’s Kaash reviewed

19 March 2016 9:00 am

You revisit an old love with wariness. Time’s passed for both of you — sharp edges have been smoothed, and…

We’re entering a new era for dance - expect big ballets with big stories

16 January 2016 9:00 am

Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…

Rambert Dance: one piercing masterpiece - and one dud

21 November 2015 9:00 am

Mark Baldwin, artistic director of Rambert Dance, must take responsibility for most of the good times I’ve had recently, midwife…

Giselle has floored many a ballerina — it did so again last week

17 October 2015 8:00 am

English has all sorts of emotive metaphors for how we feel about the ground. We’re floored. Or well grounded. Or…