Sadler’s wells

Zany and sensory-rich: Scottish Dance's Amethyst/TuTuMucky at The Place reviewed

4 December 2021 9:00 am

The Barcelona-born choreographer Joan Clevillé has form for off-beat storytelling with a streak of sincerity. Before becoming artistic director of…

Skirt-swishing and stomach-dropping: Ukrainian Ballet Gala, at Sadler's Wells, reviewed

25 September 2021 9:00 am

Like musical supergroups and Olympic basketball teams, ballet galas tend to prize individual gifts over group cohesion. A recent one…

Swaggerific display of pumping chests and crotch-grabbing struts: NYDC's Speak Volumes reviewed

31 July 2021 9:00 am

Last week I attended a dance performance in person for the first time since March last year. If you’d asked…

Jockeys suffer online abuse just like footballers

24 July 2021 9:00 am

At least England’s defeat in the European Cup final has spared us the sight of Boris Johnson, who can scent…

Crystal Pite tore the house down: Royal Opera's 21st-Century Choreographers reviewed

5 June 2021 9:00 am

The choreographers called on to get the nation’s dancers back on to the stage have as much to say about…

Gripping – if you skip the non-stop Yentobbing: Dancing Nation reviewed

6 February 2021 9:00 am

Thank God for the fast-forward button. Sadler’s Wells had planned a tentative return to live performance last month but the…

Tranquil, silky and serene: Birmingham Royal Ballet’s Lazuli Sky reviewed

7 November 2020 9:00 am

When Carlos Acosta was named artistic director of Birmingham Royal Ballet in January of this year, he announced ambitious plans…

Vigour and verve from a unique new Rite of Spring: Dancing at Dusk reviewed

8 August 2020 9:00 am

Dancing at Dusk captures the final rehearsal of a new version of Pina Bausch’s The Rite of Spring. It’s only…

Watching dance online is an advantage, not a concession: BalletBoyz – Deluxe reviewed

11 April 2020 9:00 am

Another day in isolation, another bid to find joy in my lone state-sanctioned walk. (Pro tip: stay out longer than…

Another triumph for Crystal Pite and Jonathon Young at Sadler’s Wells

14 March 2020 9:00 am

It must have been hard for Crystal Pite and Jonathan Young to live up to the success of 2016’s devastating…

Rambert's latest uses the migrant crisis for superficial intrigue: Aisha and Abhaya reviewed

7 February 2020 10:00 pm

The January dance stage can be a site of naked contrition. Like a tippler grasping at green juice after a…

A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed

2 November 2019 9:00 am

Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…

Nothing sings and shimmies like Alvin Ailey

14 September 2019 9:00 am

Hit them with your best shot? Or save the best till last? Almost 30 years after Alvin Ailey’s death in…

Daffy charm and diabolo tricks: Bolshoi’s The Bright Stream reviewed

17 August 2019 9:00 am

The Bright Stream is a ballet about a collective farm. Forget everything you know about collectivism — the failed harvests,…

Electrifying: English National Ballet’s She Persisted reviewed

13 April 2019 9:00 am

‘Where was the Kahlo brow?’ asked my guest in the first interval of English National Ballet’s She Persisted, a triple…

Dancer, choreographer, iconoclast: Merce Cunningham in 1962

A masterclass of menace and magnificence: Romeo and Juliet reviewed

6 April 2019 9:00 am

Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…

Odious, endless dross: Tanztheater Wuppertal Pina Bausch reviewed

2 March 2019 9:00 am

Please believe that I try to give every production my full attention, to do due diligence, to blink and miss…

January as you would wish it: Royal Ballet’s Les Patineurs reviewed

5 January 2019 9:00 am

The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…

Jill Johnson and Christopher Roman in William Forsythe’s Catalogue

William Forsythe on the day the US government threatened to arrest him

6 October 2018 9:00 am

William Forsythe has been called a lot of things in his four decades as a dancemaker: wilful provocateur, ‘pretentious as…

Akram Khan in Mirella Weingarten’s starkly stupendous set

A smidge of self-indulgence amid the power and grace: Akram Khan’s Xenos reviewed

9 June 2018 9:00 am

‘Comedy Sunil Lanba, Salman Quaraishi, Omar Syed…’ Names play from a crackling gramophone. We hear what they were before the…

How do these Shaolin monks square six shows a week with monking?

How do these Shaolin monks square six shows a week with monking?

14 April 2018 9:00 am

The Shaolin monks are no strangers to the stage. Their home in Dengfeng is a major stop on the Chinese…

Paying homage to the seated diva: a still from the 2016 documentary about La Chana

Louise Levene meets the tormented queen of flamenco, who bewitched Dali & Peter Sellers

3 March 2018 9:00 am

A frail old woman sits alone on a chair on a darkened stage. There are flowers in her hair. She…

The nymphs are hit and miss, but Osipova is a witty, multifaceted Sylvia: the Royal Ballet’s Sylvia reviewed

16 December 2017 9:00 am

You can pay homage to a ballet classic or you can tear it up and reinvent it. Both approaches were…

Wayne’s world

28 October 2017 9:00 am

Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…

Dancers of the Royal Ballet in Christopher Wheeldon’s Alice’s Adventures in Wonderland

Pretty vacant

7 October 2017 9:00 am

Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…