This is the second excellent book by Benjamin Balint to consider the cross-cultural perils of being a great writer after you’re dead. His first, Kafka’s Last Trial: The Case of a Literary Legacy, described legal battles over the residence of Kafka’s literary estate. This new one shifts the focus to a very different (and equally unusual) writer, Bruno Schulz, whose work has long been caught up in posthumous conflicts about who it most belongs to – that motley assembly of us selfish readers who actually read him, or those various governments competing to claim him as part of their national...