In Competition No. 3205, you were invited to supply a rigorous literary-critical analysis of a well-known pop song.

Thanks to Oliver Hawkins, who drew to my attention J. Temperance’s real-life analysis of Boney M’s ‘Daddy Cool’ (The New Inquiry, 2015): ‘We may paraphrase Deleuze and Guattari and state that “it is within capitalist society that the critique of ‘Daddy Cool’ must always resume its point of departure and find again its point of arrival.”’