<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Theatre

Les Blancs at the Olivier is good-ish, but it won't be a classic

Plus: Cyrpus Avenue at the Royal Court is a pointless and partisan exercise

16 April 2016

9:00 AM

16 April 2016

9:00 AM

Les Blancs

Olivier, in rep until 2 June

Cyprus Avenue

Royal Court, until 7 May

Les Blancs had a troubled birth. In 1965 several unfinished drafts of the play were entrusted by its dying author, Lorraine Hansberry, to her ex-husband, Robert Nemiroff, who mounted a debut production in New York in 1970. Nemiroff has created a fresh version with the help of a ‘dramaturg’ (or ‘colleague’, in English) named Drew Lichtenberg who believes not only that this ramshackle script is a masterpiece but also that Hansberry belongs in the first rank of dramatists alongside Ibsen, Sophocles and Aeschylus.

Already a subscriber? Log in

Get 3 months of digital access, absolutely free

Subscribe to The Spectator Australia today to get the next 3 months of unlimited website and app access for free.

  • Full access to spectator.com.au and spectator.co.uk
  • The Spectator Australia app, on Apple and Android
  • Podcasts and newsletters, including Morning Double Shot
  • Our archive, going back to 1828
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Get 3 months of digital access, absolutely free

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close