W.H. Auden
Adrift in strange lands: The Accidentals, by Guadalupe Nettel, reviewed
A sense of unease runs through Nettel’s latest short stories as the protagonists start to lose their bearings in increasingly unfamiliar scenarios
Cheerful meanderings
Now established in Cambridge, John Cromer embarks on a whirlwind of small adventures, testing our patience, if not our sympathy, with his extensive digressions
Father figures
In a second memoir, Motion focuses on how he became a poet, and his search for father figures, including W.H. Auden and Philip Larkin
The right not to bear arms
As I’ve occasionally come to think is the case with The Spectator, this book is perhaps best begun at the…
Often baffling but ultimately entertaining: Britten’s Paul Bunyan reviewed
‘I feel I have learned lots about what not to write for the theatre…’ There’s a prevailing idea that the…
Putting Germany together again
The purpose of Lara Feigel’s book is to describe the ‘political mission of reconciliation and restoration’ in the devastated cities…
Casual, funny, flirtatious, severe
Not only is this the definitive edition of T.S. Eliot’s poems, it is also the best biography of the poet we have, says Daniel Swift
A life well lived
‘I cannot say there is no vanity in making this funeral oration of myself, but I hope it is not…
Lines of beauty
David Jones (1895–1974) was a remarkable figure: artist and poet, he was a great original in both disciplines. His was…
Bad behaviour
W.H.Auden once wrote: ‘Real artists are not nice people. All their best feelings go into their work and life has…
Austerity measures
The difference between lovable, likable and admirable is perhaps more significant in the operatic world than in other artistic spheres…
The good companion
‘Goodbye to the Mezzogiorno’ was the first Auden poem that Alexander McCall Smith read in his youth. He discovered it…
