Titian
Portrait of the artist and mother
Even the best-known female Impressionists, such as Morisot and Cassatt, were seen as mothers first and artists second – a view Hettie Judah sets out to reverse
The summer I dwelt in marble halls
Gill Johnson recalls the glorious months she once spent in the ‘gilded labyrinth’ of a Venetian palazzo, employed as an English tutor to an aristocratic Italian family
The joy of socially distanced gallery-going
Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing…
Martin Gayford visits the greatest one-artist show on Earth
For a good deal of this autumn, I was living in Venice. This wasn’t exactly a holiday, I’d like to…
Tintoretto unmasked
Tintoretto was il Furioso. He was a lightning flash or a thunderbolt, a storm in La Serenissima of Renaissance Italy,…
The loveliest episode of Holy Week – Christ rises from the potting shed
In Nicolas Poussin’s ‘Noli Me Tangere’ (1653) Christ stands with his heel on a spade. He appears, in his rough…
The advantages of turning down the colour knob: Monochrome reviewed
Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…
RA’s Giorgione show is so rich it’s worth returning to several times
Walter Sickert was once shown a room full of paintings by a proud collector, who had purchased them on the…
Frank Auerbach: frightened of heights, dogs, driving, swimming — but finding courage through painting
With a career of more than 60 years so far, Frank Auerbach is undoubtedly one of the big beasts of…
Luxury isn’t the opposite of poverty but the opposite of vulgarity - but don’t tell the V&A
Different concepts of luxury may be inferred from a comparison of the wedding feast of Charles Bovary and Emma Rouault…
The story of the first painting to sell for over a million pounds
Nothing could have prepared the art world for the astounding moment in 1970 when, at a Christie’s sale on 27…
Without a model, Moroni could be stunningly dull. With one, he was peerless...
Giovanni Battista Moroni, wrote Bernard Berenson, was ‘the only mere portrait painter that Italy has ever produced’. Indeed, Berenson continued,…
