Theatre
Marvellously conservative: Cable Street reviewed
Cable Street is a musical that premièred last year at the Southwark Playhouse and has now migrated to the Marylebone…
If this play is correct, the Foreign Office is a joke
Safe Haven is a history play by Chris Bowers who worked for the Foreign Office and later for the UN…
What drama gets right and wrong about science
A few days after Tom Stoppard’s death last month, Michael Baum, a distinguished surgeon, wrote a letter to the Times.…
Oh, Mary!’s climax is an inspirational bit of comedy
High Noon, directed by Thea Sharrock, is a perfectly decent version of a trusty western which celebrates its 74th birthday…
The art of the transatlantic liner
Some time in the next few weeks, a great ocean liner will be lost at sea. One of the greatest,…
Why has the National got it in for Oirish peasants?
The Playboy of the Western World is like the state opening of parliament. Worth seeing once. Director Caitriona McLaughlin delivers…
I walked out of my son’s nativity play
To walk out of a public performance before the end – be it the theatre, a concert or a lecture…
One for hardcore Stoppard fans: Indian Ink reviewed
Unusual. After the press night of Indian Ink by Tom Stoppard, no one leapt up and cheered. The crowd applauded…
Paddington – The Musical is sensational
Who doesn’t love Paddington? The winsome marmalade junkie has arrived at the Savoy Theatre in a musical version of the…
Ivo van Hove tries and fails to destroy Arthur Miller
All My Sons, set in an American suburb in the summer of 1947, examines the downfall of Joe Keller, a…
The wit of Tom Stoppard
The playwright Peter Nichols created a character based on Tom Stoppard. Miles Whittier. On a car journey across London, I…
A Spectator poll: What is the greatest artwork of the century so far?
Slavoj Zizek Hegel thought that, in the movement of history, the world spirit passes from one country to another, from…
The theatre isn’t a thinktank
Readers tend not to approve of rows between columnists, but I must take issue with something Lloyd Evans wrote in…
A sack of bilge: End, at the Dorfman Theatre, reviewed
End is the title chosen by David Eldridge for his new relationship drama. Clive Owen and Saskia Reeves star as…
The babyishness of Hunger Games on Stage
The Hunger Games is based on a 2008 novel about a despotic regime where brainwashed citizens are entertained with televised…
This Othello is almost flawless
Othello directed by Tom Morris opens with a stately display of scarlet costumes and gilded doorways arranged against a backdrop…
Perfection: Hampstead Theatre’s The Assembled Parties reviewed
The Assembled Parties, by Richard Greenberg, is a rich, warm family comedy that received three Tony nominations in 2013 following…
Why was the 19th century so full of bigots and weirdos?
Da Vinci’s Laundry is based on an art world rumour. In 2017, Leonardo’s ‘Salvator Mundi’ sold at Christie’s for $450…
Tracy Letts’s magic touch
Tracy Letts’s Mary Page Marlowe is a biographical portrait of an emotionally damaged mother struggling with romantic and family problems.…
What does it feel like to perform the same show 355 times in one year?
I have my routine down to a science. At 6.59, I’m sitting in the stairwell, typing on my laptop or…
Stephen Fry is the perfect Lady Bracknell
Hamlet at the National opens like a John Lewis Christmas advert. Elegant celebrations are in progress. The stage is full…
When Freud met Hitler
A new play by Lawrence Marks and Maurice Gran, the writers of Birds of a Feather, feels like a major…
Picasso’s ravishing work for the ballet
Visitors to the Victoria and Albert Museum’s new storehouse in Stratford’s Olympic Park are being enthralled by an atmospherically lit…
The time Spike Milligan tried to kill me
The theatre impresario Michael White rang me one day in 1964, and said he was presenting a play at the…
An English Chekhov: The Gathered Leaves at Park200 reviewed
Chekhov with an English accent. That’s how Andrew Keatley’s play, The Gathered Leaves, begins. The setting is a country house…
