the macabre

‘There is so little heartless work around. So I feel I am filling a small but necessary gap.’ Edward Gorey photographed in 1977 on the set he designed for the Broadway production of Dracula

Edward Gorey: master of the macabre

8 December 2018 9:00 am

‘A is for Amy who fell down the stairs/ B is for Basil, assaulted by bears…’ The Gashlycrumb Tinies, an…

Sign up to The Spectator Australia newsletter

Australia's best political analysis - straight to your inbox

Editor’s picks

World

Australia doesn’t need a Ministry of Truth

Podcasts

In defense of journalism, with Anthony De Ceglie

World

On the ground at the People’s University for Palestine (formerly Columbia)

World

Desperate manufacturers are struggling to shift electric cars

Lead book review

To Salman Rushdie, a dream before his attempted murder ‘felt like a premonition’

World

UNRWA hasn’t earned our trust in Gaza

Sign up to the Morning Double Shot newsletter

The Spectator Australia's Morning Double Shot delivers a hearty breakfast of news and views straight to your inbox

Sign up to the Flat White newsletter

Weekly round up of the best Flat White blogs - delivered straight to your inbox