Simon Rattle
Rattle’s glorious Janacek
The Czech author Karel Capek is probably best known for his plays: high-concept speculative dramas such as R.U.R. and The…
The orchestra that makes pros go weak at the knees
Stravinsky’s The Firebird begins in darkness, and it might be the softest, deepest darkness in all music. Basses and cellos…
Suspended reality
Aix is an odd place. It should be charming, with its dishevelled squares, Busby Berkeley-esque fountains, pretty ochres and pinks.…
In defence of the Arts Council
I once knew a monster who said she could not read Proust because there were no figures in Proust with…
Booster shots of sunlight
Sir Simon Rattle and the London Symphony Orchestra began the year with a world première. Unsuk Chin’s Second Violin Concerto…
Highs and lows
Rejoice: live music is back. Or at least, live music with a live audience, which, as Sir Simon Rattle admitted,…
Alive and kicking
Rachmaninov’s First Symphony begins with a snarl, and gets angrier. A menacing skirl from the woodwinds, a triple-fortissimo blast from…
Rattled
Will Britain’s orchestras survive the Brexit exodus?
Britain’s got talent
Brexit and Covid have pushed us out of the common musical market and thrown us back on homegrown sprouts. Good, says Norman Lebrecht
Barely touching the void
The Royal Albert Hall, as Douglas Adams never wrote, is big. Really big. You just won’t believe how vastly, hugely,…
Scouse style
Richard Bratby on Britain’s oldest and ballsiest orchestra, the Royal Liverpool Philharmonic, which has taken on everyone from gang leaders to Derek Hatton
From joy to dissolution
At the start of Elgar’s Second Symphony the full orchestra hovers, poised. It pulls back; and then, like a dam…
The fall of Daniel Barenboim
A few years ago, I hooked up with a BBC team in Berlin to record a programme with Daniel Barenboim.…
Rattle’s recapitulation: LSO/Simon Rattle at Barbican reviewed
A pregnant silence, a peaty belch from the tuba, and the scrape of brass on brass as gears lock into…
A Beggar’s Opera that beggars belief in Edinburgh
Robert Carsen’s new updating of The Beggar’s Opera is a coke-snorting, trash-talking, breakdancing, palm-greasing, skirt-hiking, rule-breaking affair — and every…
Garsington makes as good a case as you can for Strauss’s frothy Capriccio
‘Is there an end [to this opera] that is not trivial?’ asks the Countess in her final bars of Richard…
The Bilbao effect
Twenty years ago I wrote of the otherwise slaveringly praised Guggenheim Museum in Bilbao: I’m in a minority of, apparently,…
Beauty and the beast
I was going to start with a little moan. About the shouty marketing, the digital diarrhoea, the sycophantic drivel, which,…
Director’s cut
Much fuss has been made of the title given to Sir Simon Rattle on arrival at the London Symphony Orchestra.…
Who is Kirill Petrenko?
Two summers ago, the BBC were offered a Proms visit by the Bavarian State Orchestra with its music director, Kirill…
Who is Kirill Petrenko?
Two summers ago, the BBC were offered a Proms visit by the Bavarian State Orchestra with its music director, Kirill…
Hadyn recreated
‘Rarely, rarely, comest thou, Spirit of Delight!’ wrote Elgar, quoting Shelley, at the top of his Second Symphony. He should…
Let there be light
If you’ve never heard the John Wilson Orchestra, it’s time to experience pure happiness. Buy their 2016 live album Gershwin…
In two minds
There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…
Musical maestros and football managers have more in common than you think
You don’t have to be a follower of Liverpool Football Club, or football at all, to spot the difference. Two…
