Russell Maliphant
Crystal Pite tore the house down: Royal Opera's 21st-Century Choreographers reviewed
The choreographers called on to get the nation’s dancers back on to the stage have as much to say about…
A masterclass of menace and magnificence: Romeo and Juliet reviewed
Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…
One nasty moment aside, the ENB’s Manon is superlative
If you like the BBC’s Les Misérables, you’ll love English National Ballet’s Manon. Manon, in Kenneth MacMillan’s telling, is The…
Wayne’s world
Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…
Is Twitter now in charge of the Royal Ballet’s artistic programming?
For all the billing and cooing on public forums about the Royal Ballet’s The Two Pigeons revival, there’s a silent…
War, socialist tyranny and the oppression of the handicapped - welcome to the new dance season
If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…
Sylvie Guillem’s better than ever in her final, final Coliseum farewell
The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…
Is that Sylvie Guillem? Or R2-D2? Guillem's farewell dance at Sadler’s Wells reviewed
There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the…
