Robin Ticciati
Vexing reading of a perplexing opera: Glyndebourne’s Pelléas et Mélisande reviewed
Anna Picard 7 July 2018 9:00 am
The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé…
Glyndebourne’s Ravel double bill comes close to perfection
Michael Tanner 15 August 2015 9:00 am
When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…
Robin Ticciati interview: ‘Glyndebourne is a festival where the established and the fresh exist together’
Michael Henderson 10 May 2014 9:00 am
Glyndebourne, the great Sussex opera house, celebrates its 80th anniversary this summer. Hurrah! There is a new music director, too,…