Robin Ticciati
Vexing reading of a perplexing opera: Glyndebourne’s Pelléas et Mélisande reviewed
The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé…
Glyndebourne’s Ravel double bill comes close to perfection
When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…
Robin Ticciati interview: ‘Glyndebourne is a festival where the established and the fresh exist together’
Glyndebourne, the great Sussex opera house, celebrates its 80th anniversary this summer. Hurrah! There is a new music director, too,…
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