oratorio

The music we need right now: James MacMillan’s Christmas Oratorio reviewed

6 February 2021 9:00 am

The two most depressing words in contemporary classical music? That’s easy: holy minimalism. I know, I know. Lots of people…

The best recordings of my favourite Passion

11 April 2020 9:00 am

In the autumn of 1632, a man called Kaspar Schisler returned home to the small Bavarian town of Oberammergau. He…

Why did Parry’s Judith vanish?

13 April 2019 9:00 am

‘When a man takes it upon himself to write an oratorio — perhaps the most gratuitous exploit open to a…

Time to end authenticity

12 August 2017 9:00 am

They say the first step towards recovery is admitting that you have a problem. So I’m staging an intervention and…

Not a repertory piece but in its dignity it earns respect: Royal Opera’s Oedipe reviewed

28 May 2016 9:00 am

For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…

A Handel opera that isn't by Handel, and a Mozart opera composed in 1990, reviewed

23 April 2016 9:00 am

Disguises and mistaken identities are a staple of opera, but usually as part of the onstage, not the offstage, action.…

The erotic Mary, left, by Gregor Erhart (c.1515–20) and the penitent Mary, right, by El Greco (c.1577)

No one in the Bible has been as elaborately misrepresented as Mary Magdalene

22 November 2014 9:00 am

A bogus history book and a new oratorio turn Mary Magdalene into the wife of Jesus and a human rights activist. Damian Thompson feels sorry for the poor woman