London Philharmonic Orchestra

In his new piano concerto Thomas Ades’s inspiration has completely dried up

2 November 2019 9:00 am

There’s nothing like a good piano concerto and, sad to relate, Thomas Adès’s long-awaited first proper attempt at the genre…

Christina Gansch as Mélisande in Pelléas et Mélisande at Glyndebourne Festival

Vexing reading of a perplexing opera: Glyndebourne’s Pelléas et Mélisande reviewed

7 July 2018 9:00 am

The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé…

Celebrating Carter was one of the most energising musical occasions in years

3 February 2018 9:00 am

Das Rheingold at the Royal Festival Hall was, all told, a disappointment, but it might not have been had there…