Horror
I watched it between my fingers: Bring Her Back reviewed
The Australian twins Danny and Michael Philippou started off as YouTubers known for their comically violent shorts – Ronald McDonald…
Magnificently bloodthirsty: 28 Years Later reviewed
First it was 28 Days Later (directed by Danny Boyle, 2002), then 28 Weeks Later (Juan Carlos Fresnadillo, 2007) and…
The politics of horror
Everyone forgets the actual opening scene of 28 Days Later, even though it’s deeply relatable, in that it features a…
A psychopath on the loose: Never Flinch, by Stephen King, reviewed
A serial killer vows retribution for the death of a friend framed for child pornography offences in King’s latest cliffhanger
Urban gothic: I Want to Go Home, But I’m Already There, by Roisin Lanigan, reviewed
A rented London flat starts to exude hostility and malevolence – or could our impressionable heroine just be imagining it?
Proudly dumb – and all the better for it: The Monkey reviewed
The monkey is an organ-grinder’s monkey toy. Wind up the key jutting out of its back, and its lips will…
Hugh Grant is an amazingly convincing villain – who’d have thought it?
Heretic is the latest horror film from writer-directors Scott Beck and Bryan Woods (A Quite Place) and stars Hugh Grant,…
The mystery of Area X: Absolution, by Jeff VanderMeer, reviewed
We are never told the exact location of this highly toxic zone in Florida, but any scientist investigating it has been monstrously affected, either physically or mentally
Not for the squeamish: The Substance reviewed
Both horribly familiar and wonderfully shocking, this body-horror film written and directed by Coralie Fargeat does a very traditional thing…
Basic, plodding and lacking any actual horror: Doctor Jekyll reviewed
Tis the season of horror, as it’s Halloween, which we celebrate in this house by turning off all the lights…
Heart and Seoul
Should we be worried that Squid Game is the most popular show in Netflix’s history? If it’s a case of…
Saints and sinners
Saint Maud is a first feature from writer-director Rose Glass and it’s being billed as a horror film. But it’s…
Holiday park hell
Make Up is the first full-length film from writer–director Claire Oakley, set in an out-of-season holiday park on the Cornish…
Spooky delights
One of my perpetual gnawing terrors is that I’ll recommend a series that looks initially promising but turns out to…
Scooby Doo with better CGI: Doctor Sleep reviewed
Wheeeere’s Johnny? Nearly 40 years ago Jack Nicholson went berserk in a snowbound Rockies hotel, smashing an axe through a…
A good horror film for those who don’t like horror films: Midsommar reviewed
Midsommar is the latest horror film from Ari Aster, who made Hereditary, which starred Toni Collette and was a sensation.…
A gratifying evocation of 1960s sweets – but I wanted more: Toast reviewed
Nigel Slater is popular because he’s an exceptionally meek cook. Not for him the sprawling restaurant empire or the transatlantic…
Not quite scary or clever enough for legendary status: Resident Evil 2 reviewed
Grade: B Resident Evil 2 takes the original zombie shooter, which has become a cult classic and, to many, the…
Rarely has the West End seen such a draining and nasty experience: The Exorcist reviewed
The Exorcist opened in 1973 accompanied by much hoo-ha in the press. Scenes of panic, nausea and fainting were recorded…
Hideously watchable: Killing of a Sacred Deer reviewed
You know where you aren’t with director Yorgos Lanthimos. The Greek allegorist creates parallel worlds which superficially resemble our own.…
Nut job
The film-maker Darren Aronofsky says he wrote Mother! in five days as if in a ‘fever dream’ and, as a…
Art of darkness
Stephen King, 69, has sold more than 350 million books, and tries not to apologise for being working-class, or imaginative,…
Do not be afraid
It Comes at Night is a horror film and I can’t say horror is my favourite genre. In fact, as…
Looking for treasure island
It is not easy to avoid clichés when writing about J.M.G. Le Clézio. Born in Nice in 1940, the recipient…
The American dream goes bust
One happy aspect of Lionel Shriver’s peek into the near future (the novel opens in 2029) is the number of…
