Fiction
Barefoot in the park: Tokyo Ueno Station, by Yu Miri, reviewed
In 1923, an earthquake with a magnitude of 9 struck Tokyo and Yokohama. A huge area of Tokyo burned. But,…
Farewell Bernie Gunther: Metropolis, by Philip Kerr, reviewed
Philip Kerr’s first Bernie Gunther novel, March Violets, was published 30 years ago. From the start, the format was a…
The cruise of a lifetime: Proleterka, by Fleur Jaeggy, reviewed
Near the start of Fleur Jaeggy’s extraordinary novel Proleterka, the unnamed narrator reflects: ‘Children lose interest in their parents when…
Further adventures of a dysfunctional family: Reasons to be Cheerful, by Nina Stibbe, reviewed
My ex-dentist resembled a potato wearing a Patek Phillipe. In those precious moments between the golf course and the cruise…
Missive from a living fossil: Little Boy, by Lawrence Ferlinghetti, reviewed
In his adopted city of San Francisco, the poet, publisher and painter Lawrence Ferlinghetti is venerated to levels nearing those…
In the pavilion of fun: Bowlaway, by Elizabeth McCracken, reviewed
Bowlaway, Elizabeth McCracken’s first novel in 18 years, is a great American candy-colour Buddenbrooks, a multi-generational epic spanning almost 100…
Tolkien in Africa: Black Leopard Red Wolf, by Marlon James, reviewed
Anyone who has issues with Tolkien (at 16, even in a suitably ‘altered state’, I could not finish The Hobbit,…
An island’s dark secrets: The Tempest, by Steve Sem-Sandberg, reviewed
‘I should not have gone back to the island but I did it all the same.’ So begins the Swedish…
Shakespeare on the beach: Oh I Do Like to Be…, by Marie Phillips, reviewed
The phrase ‘Shakespeare comedy’ is an oxymoron with a long pedigree, one which perhaps stretches back to the late 16th…
Cycle of violence: Blood, by Maggie Gee, reviewed
Maggie Gee has written 14 novels including The White Family, which was shortlisted for the Orange Prize (now the Women’s…
Beware the female stalker: Dream Sequence, by Adam Foulds, reviewed
Adam Foulds’s fourth novel, Dream Sequence, is an exquisitely concocted, riveting account of artistic ambition and unrequited love verging on…
The ghostly Thames: Once Upon a River, by Diane Setterfield, reviewed
While its shape is famous — prominent on maps of London and Oxford — the Thames is ‘unmappable’, according to…
Lost in allegory: The Wall, by John Lanchester, reviewed
Dystopian fiction continues to throng the bookshelves, for all the world as though we weren’t living in a dystopia already,…
Partying with John and Yoko: The Dakota Winters, by Tom Barbash, reviewed
Tom Barbash’s dark and humorous second novel takes a risk by combining invented and real characters. I feared nagging doubts…
Nazi caricatures: The Order of the Day, by Éric Vuillard, reviewed
There was a time when you read French literary novels in order to cultivate a certain kind of sophisticated suspicion.…
Love in a time of people-trafficking: Among the Lost, by Emiliano Monge, reviewed
From the very first pages of Among the Lost, we’re engaged, and compromised. Estela and Epitafio are our main anchors,…
An Igbo Paradise Lost: An Orchestra of Minorities, by Chigozie Obioma, reviewed
Nurture hatred in your heart and you will keep ‘an unfed tiger in a house full of children’. A man…
Life and death in 1970s Belfast: For the Good Times, by David Keenan, reviewed
David Keenan’s debut novel, This is Memorial Device, about a small town in Lanarkshire and its post-punk scene, showed that…
Biting political satire: China Dream, by Ma Jian, reviewed
Ma Jian’s novels have been banned in his native China for 30 years and he has been hailed as ‘China’s…
The gambler and the hooker: Awful Beauty, by Andrei Navrozov, reviewed
This book — the title is from Pasternak —is billed as ‘literary fiction’. The narrator, a Russian gambler and drinker…
Tell them of Battles, Kings and Elephants, by Mathias Enard, reviewed
Michelangelo seems never to have travelled to Turkey to advise the Sultan on a bridge to span the Golden Horn,…
Chains and planes: Turbulence, by David Szalay, reviewed
In the opening pages of Turbulence, a woman in her seventies, who is visiting her sick son in Notting Hill,…
Does an autobiographical novel really count as fiction?
Orhan Pamuk, writing about Vladimir Nabokov’s masterful memoir Speak, Memory, noted that there was a particular ‘thrill’ for the writer…
A darkly comic road trip: The Remainder, by Alia Trabucco Zerán, reviewed
You could call The Remainder a literary kaleidoscope: look at it one way and you see how the past lays…
Horrors of the house of wax: Little, by Edward Carey, reviewed
The reader of Edward Carey’s Little must have a tender heart and a strong stomach. You will weep, you will…
