Dulwich Picture Gallery

A gallery that refuses to dumb-down

13 September 2025 9:00 am

The DNA of Dulwich Picture Gallery is aspirational, in the sincerest sense. Opening in 1817 when private collections were still…

Tirzah Garwood just isn’t as good as her husband Eric Ravilious

14 December 2024 9:00 am

Tirzah Garwood, wife of the more famous Eric Ravilious, is having a well-deserved moment in the sun, benefiting from this…

Champion of the female sex

14 October 2023 9:00 am

‘She is a princess endowed with all the virtues of sex; long experience has taught her how to govern these…

Ladies first

20 May 2023 9:00 am

In the rush to right the historical gender balance, galleries have been corralling neglected women artists into group exhibitions: the…

A bloody miracle: ‘Apollo and Marsyas’, 1637, by Jusepe de Ribera

The Spanish artist who is more gruesome even than Caravaggio

22 September 2018 9:00 am

Last year my wife and I were wandering around the backstreets of Salamanca when we were confronted by a minor…

Coloured proof from ‘English as She is Spoke’ by Pedro Carolino, 1960, by Edward Bawden

Edward Bawden is deservedly one of Britain’s most popular 20th century artists

9 June 2018 9:00 am

‘When I’m on good form,’ Edward Bawden told me, ‘I get to some point in the design and I laugh…

London calling

28 October 2017 9:00 am

Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…

About strange lands and people: ‘Midsummer Eve Bonfire’, after c.1917, by Nikolai Astrup

Magnetic north

30 January 2016 9:00 am

The Norwegian artist Nikolai Astrup has been unjustly overshadowed by Edvard Munch. But that is about to change, says Claudia Massie

M.C. Escher: limited, repetitive, but he deserves a place in art history

7 November 2015 9:00 am

‘Surely,’ mused the Dutch artist M.C. Escher, ‘it is a bit absurd to draw a few lines and then claim:…

‘Observer’s Post’, 1939, by Eric Ravilious

Light fantastic

11 April 2015 9:00 am

The most unusual picture in the exhibition of work by Eric Ravilious at Dulwich Picture Gallery, in terms of subject-matter…

Unmissable: ‘The Horse, the Rider and the Clown’, 1943–4, by Matisse will go on show at Tate Modern in April

A look ahead

11 January 2014 9:00 am

Andrew Lambirth reveals the treats on show in 2014

‘Brown and Silver: Old Battersea Bridge’, 1859–63, by James McNeill Whistler

Visual poetry

16 November 2013 9:00 am

The famous court case in which Ruskin accused Whistler of ‘flinging a pot of paint in the public’s face’ continues…

Visual feast

20 July 2013 9:00 am

This exhibition was dreamt up by David Boyd Haycock, a freelance writer and curator, following the success of a book…