Briseis
The one and only
With its carefully calibrated sense of time, the Iliad is clearly the work of a single man and not a ‘rolling snowball’ of different contributions, argues Robin Lane Fox
Weaving stories
What are myths for? Do they lend meaning and value to this quintessence of dust? Like religion, perhaps they help…
Pat Barker travels to Troy, but finds herself diverted somewhere outside Ypres
Sing muse, begins The Iliad, of the wrath of Achilles. We are dropped straight into the tenth year of the…


![‘Achilles has a dispute with Agamemnon [following Briseis being taken away, and Achilles refusing to fight until she is returned]’, J.H. Tischbein, 1776, oil on canvas. (Bridgeman Images)](https://www.spectator.com.au/wp-content/uploads/2018/09/achillies.jpg?w=410&h=275&crop=1)





