Alice Coote
More misogynistic than the original: ENO’s Orpheus in the Underworld reviewed
It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped…
Alice in Wonderland at the Barbican reviewed: too much miaowing
Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…
Royal Opera's Rigoletto: your disbelief may wobble but your excitement won't
One of the greatest tests of how an opera house is functioning is the quality of its revivals. Both the…
