More from Arts
Charming and silly: Sam & Max – The Devil’s Playhouse reviewed
Grade: B Readers of a certain age (mine, roughly) may have fond memories of 1993’s Sam & Max Hit the…
Children have the Proms. Grown-ups head to Salzburg. Snob summer
Salzburg Festival doesn’t mess about. The offerings this year include an adaptation of Thomas Mann’s Magic Mountain in Lithuanian, a…
Can video games be funny?
Grade: B+ Games can be exciting, puzzling, scary, competitive and – occasionally – moving. Can they be funny? Not often.…
Gorgeous and deeply absorbing: Manor Lords reviewed
Grade: A ‘God games’, as they used to be called, have a storied history. SimCity, Civilisation and the excellently sadistic…
Entirely pointless and extremely pleasant: House Flipper 2 reviewed
Grade: B+ Most video games challenge the player’s problem-solving skills, reaction time or hand-eye co-ordination. But a handful of them…
Has all the charisma of Chernobyl: Manchester’s Aviva Studios reviewed
There is a (possibly apocryphal) story about William Morris, where he spends most of his time in Paris inside the…
Why intellectuals love Disney
This month marks the 100th anniversary of Walt Disney’s company. The first cartoons it was founded to produce – the…
Why everyone should go to life-drawing classes: Claudette Johnson interviewed
While looking at Claudette Johnson’s splendid exhibition Presence at the Courtauld Gallery, I kept trying to pin down an elusive…
Gripping tale of Ireland’s most polite bank robber: I’m Not Here To Hurt You reviewed
There should really be a special word for it: that vicarious fragility you feel when hearing of a minor decision…
‘She had no neutral gear’: Lindy Dufferin remembered
In 1957, when my dear godmother, the Marchioness of Dufferin and Ava (1941-2020), was 16, she began her diary. The…
Move fast to snap up one of Elizabeth Blackadder’s sleek cats at the Scottish Gallery
If there’s one thing the internet knows, it’s that cats sell. The Scottish painter Elizabeth Blackadder, who died in 2021…
Free, noisy, fun: Young V&A reviewed
One of the annoying things about too many contemporary museums is that, having ditched old-fashioned closely typed descriptive labels and…
Policed conviviality: Serpentine Pavilion 2023 reviewed
As I sat down at this year’s Serpentine Pavilion, I overheard a curious exchange. ‘You mustn’t create art within art,’…
Can we know an artist by their house?
Can we know an artist by their house, asks Laura Freeman
Are surgical museums such the Hunterian doomed?
Margaret Mitchell on the ethics of museums of anatomical specimens
‘I have uncancelled myself’: David Starkey interviewed
David Starkey’s commentary on the Queen’s funeral on GB News was generally agreed to be the best of all the…
Why do people in theatre hate their audiences?
Lloyd Evans bemoans theatre’s new hostility towards paying punters
The day I sold my destroyed piano to the Tate
One day in October 1966 I came home from school and found a large man stripped to the waist, attacking…
