Exhibitions
How fantastic to see Hogarth’s largest paintings in their original glory
The long overlooked staircase by Hogarth at St Bartholomew’s Hospital has been cleaned and restored in a £9.5 million scheme.…
Dazzling: Hawaii, at the British Museum, reviewed
Climb the Reading Room steps to reach the British Museum’s dazzling Hawaii exhibition, and you perform an obeisance. At the…
Does Tate’s director care about art?
I met the Tate’s outgoing director Maria Balshaw only once, back when she was in Manchester running both the Whitworth…
Cadavers will always captivate. Museums need to chill out
Is it right to put human remains on show? It’s a question that museum curators and the public have been…
Constable, not Turner, changed the course of painting
Flanders and Swann; Tom and Jerry. Some things come in pairs. Like Turner and Constable, even though our two most…
The thrill of Stanley Spencer
‘Places in Cookham seem to me possessed by a sacred presence of which the inhabitants are unaware,’ wrote Stanley Spencer.…
Why is divorce so seldom addressed in art?
Two years ago I was flown to Reykjavik to interview the Icelandic performance artist Ragnar Kjartansson. It was a weird…
The genius of William Nicholson
Even if you think you don’t know William Nicholson, it’s a fair bet that you’ve come across his work. If…
London’s stupidest gallery
Everyone loves a private view, and I am no exception. I don’t know how many hours I must have spent…
This exhibition made my companion gasp
Numerous research academics have contributed to this highly cogent show celebrating the craftspeople of Ancient Egypt. My pre-teen companion, though…
The Two Roberts drank, danced, fought – but how good was their art?
The Two Roberts, Robert MacBryde (1913-66) and Robert Colquhoun (1914-62), are figures of a lost British bohemia. Both born in…
Lice combs, vaginal syringes and cesspits: at home in 17th century Holland
The room is dark, the lighting deliberately low. At its centre stands a solitary object: a yellow and green earthenware…
Unesco are idiots
Of all the moronic decisions made by cultural organisations over the past 50 years, probably the most insulting and retrograde…
The best artist alive? Probably
Taking place every October in Regent’s Park, the Frieze fair is probably the biggest event in London’s art calendar. It…
The staggering beauty of Fra Angelico
In 1982, Pope John Paul II surprised a few people by beatifying Fra Angelico, the 15th-century Dominican friar from near…
A remarkable insight into Le Carré’s working methods
When Richard Ovenden of the Bodleian Library wrote to John le Carré asking if the writer would leave it his…
This museum is a lesson for all curators
The National Railway Museum is 50 years old, and it’s come over all literary. A quote from Howards End stands…
The best Turner Prize in years
So, the Turner Prize: where do we start? It’s Britain’s most prestigious art award, one that used to mean something…
Magnificent: V&A’s Marie Antoinette Style reviewed
This exhibition will be busy. You’ll shuffle behind fellow pilgrims. But it’ll be worthwhile. It’s a tour de force that…
Sondheim understood Seurat better than the National Gallery
In Sunday in the Park with George, Stephen Sondheim catches something of what makes Georges Seurat so brilliant – not…
Dartmoor’s forgotten painter
Asolo exhibition opened at Oxford’s Ashmolean in October 1980 that appeared to mark the belated arrival of a major new…
I’ve had it with Anselm Kiefer
August is always a crap month for exhibitions in London. The collectors are elsewhere, the dealers are presumably hot on…
Modest, interesting – no masterpieces: Millet at the National Gallery reviewed
Jean-François Millet (1814-75). One Room. 14 items. Eight paintings. Six drawings and sketches. Modest, interesting. No masterpieces. The show appeals…
Wittily wild visions: Abstract Erotic, at the Courtauld, reviewed
If you came to this show accidentally, or as a layperson, it could confirm any prejudices you might have about…
The masterpieces of Sussex’s radical Christian commune
Ditchling in East Sussex is a small, picturesque village with all the trappings: medieval church, half-timbered house, tea shops, a…
