Classical
When Fauré played The Spectator
Gabriel Fauré composed his song cycle La bonne chanson in 1894 for piano and voice. But he added string parts…
Bristol’s new concert hall is extremely fine
Bristol has a new concert hall, and it’s rather good. The transformation of the old Colston Hall into the Bristol…
Meet the man who says improvisation is the key to Mozart
In August 1993, the pianist Robert Levin sat down in Walthamstow Assembly Rooms with the conductor Christopher Hogwood and the…
Across Britain punters are lapping up ultra-trad opera – the Arts Council will be disgusted
Another week at the opera, another evening with an elitist and ethically dubious art form. I love it; you love…
The mutilation of Radio 3
On Saturday 12 December 1964, Harold Wilson addressed his first Labour party conference as prime minister, George Harrison was photographed…
Baffling and vile: ETO’s Manon Lescaut reviewed
In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and…
What would Tanner say?
On the train home from the Royal Festival Hall I learned of the death of Michael Tanner, who wrote this…
In defence of noise music
It’s curious to consider what a venerable old thing noise music is. That this most singularly untameable of musics –…
Funny, faithful and inventive: Scottish Opera’s Barber of Seville reviewed
A violinist friend in the City of Birmingham Symphony Orchestra used to talk about an orchestra’s ‘muscle memory’; a collective…
The miracle of watching a great string quartet perform
Joseph Haydn, it’s generally agreed, invented the string quartet. And having done so, he re-invented it: again and again. Take…
Glorious data dump
At the beginning of the 1980s a former ice-cream salesman called Ted Perry drove a London minicab to raise money…
Taking the biscuit
The fun starts early in Beckett’s Endgame. Within minutes of opening his mouth, blind bully Hamm decides to starve his…
Sonic enchantment
We used to call it a ‘meat and two veg’ programme, back in my concert planning days: the reliable set…
A performance with teeth
It’s the Edinburgh International Festival, and Barrie’s back in town. Once, Edinburgh was pretty much the only place that you…
Suspended reality
Aix is an odd place. It should be charming, with its dishevelled squares, Busby Berkeley-esque fountains, pretty ochres and pinks.…
Winging it
‘Audience Choice’ was the promise at the Budapest Festival Orchestra’s Sunday matinee Prom, and come on – who could resist…
