Classical

Astonishing, relentlessly pleasurable rediscovery – tantric opera: Luigi Rossi's Il Palazzo incantato reviewed

6 March 2021 9:00 am

I don’t say this lightly, but after 20 years of opera-going, Luigi Rossi’s Il Palazzo incantato might just be the…

Perfect English songs in fresh new colours: Roderick Williams sings Butterworth

27 February 2021 9:00 am

Another week, another online concert; and since orchestral music seems likely to be confined to screens and stereos for a…

From bad joke to 21st-century classic: the best recordings of Korngold’s Violin Concerto

13 February 2021 9:00 am

Erich Korngold was what you might call an early adopter. As a child prodigy in Habsburg Vienna, he’d astonished the…

The music we need right now: James MacMillan’s Christmas Oratorio reviewed

6 February 2021 9:00 am

The two most depressing words in contemporary classical music? That’s easy: holy minimalism. I know, I know. Lots of people…

Alfred Brendel the Dadaist

16 January 2021 9:00 am

How many people are celebrating the fact that, last week, one of Europe’s most inspired writers about music, modern art…

There’s no better sonic hangover cure: New Year’s Day Concert reviewed

9 January 2021 9:00 am

The best moment in the Vienna Philharmonic’s annual New Year’s Day Concert comes after the end of the advertised programme.…

Alan Rusbridger on the joys of four-hand piano

19 December 2020 9:00 am

One of the few social activities not yet prohibited under lockdown laws is four-handed piano playing. I don’t mean sitting…

Refined and dreamy: CBSO centenary concerts reviewed

12 December 2020 9:00 am

For an orchestra to lose one anniversary concert may be regarded as unfortunate. To lose two? Welcome to 2020. The…

The beautiful, haunted symphonies of Franz Schmidt

5 December 2020 9:00 am

The sounds that Franz Schmidt made while learning the trumpet were pretty much unbearable, or so the story goes. In…

The grotesque unevenness of Mozart’s Requiem

28 November 2020 9:00 am

It is amazing what fine performances you can get beamed to your computer these days. Slightly less amazing is the…

In defence of the tyrannical male maestro

14 November 2020 9:00 am

Praising the grand old maestri of the podium isn’t a good look, as they say on Twitter. Conductors such as…

Unobtrusively filmed, powerfully performed but still unsatisfying: LSO's Bluebeard reviewed

7 November 2020 9:00 am

The timing couldn’t be better. Just as the gates clang shut on another national lockdown, trapping us all indefinitely with…

A silly, bouncy delight: Glyndebourne's In the Market for Love reviewed

17 October 2020 9:00 am

Offenbach at Glyndebourne! Short of Die Soldaten with a picnic break or a period-instrument revival of Jerry Springer: The Opera,…

Why did Balakirev's beautiful, inventive works go out of fashion?

10 October 2020 9:00 am

Anyone who invited the Russian composer Mily Balakirev to dinner had to be jolly careful about the fish they served.…

The joy of going to a real concert: OHP's Heart of Delight reviewed

22 August 2020 9:00 am

I went to a concert! Not a livestream or download: a real concert, with real musicians, a real conductor, a…