Cinema
I could never sit through it again: The Cut reviewed
What set this apart, I would suggest, is its deep and unremitting unpleasantness The Cut stars Orlando Bloom as a…
Fails to outshine the original: The Roses reviewed
The Roses is a remake of The War of the Roses (1989), the diabolically funny black bitter comedy that was…
Woody Allen without the zingers: Materialists reviewed
Celine Song’s first film, the wonderful Past Lives (2023), earned two Oscar nominations. So expectations were riding high for Materialists.…
A mafia drama like no other
The Kingdom is a mafia drama like no other. It’s directed by Julien Colonna whose father was a Corsican mob…
Be warned: the new Naked Gun is actually funny
As the lights went down for The Naked Gun – the ‘legacy sequel’ to the spoof cop franchise – I…
I watched it between my fingers: Bring Her Back reviewed
The Australian twins Danny and Michael Philippou started off as YouTubers known for their comically violent shorts – Ronald McDonald…
Definitely the film of the week: Four Letters of Love reviewed
In the brief lull between last week’s summer blockbuster (Superman) and next week’s (Fantastic Four) you may wish to catch…
Watch the 1978 version instead: Superman reviewed
My father took us to the cinema (Odeon, Leicester Square) once a year at Christmas and in 1978 the film…
Jurassic Park Rebirth is the dumbest yet
Midway through Jurassic World Rebirth the scientist character played by Jonathan Bailey, whom we can all immediately spot as a…
Magnificently bloodthirsty: 28 Years Later reviewed
First it was 28 Days Later (directed by Danny Boyle, 2002), then 28 Weeks Later (Juan Carlos Fresnadillo, 2007) and…
Darkly comic samurai spaghetti western: Tornado reviewed
Tornado is a samurai spaghetti western starring Tim Roth, Jack Lowden and Takehiro Hira (among others). Samurai spaghetti westerns aren’t…
Literate and sensitive romance: Falling Into Place reviewed
Falling Into Place is a love story written by Aylin Tezel, directed by Aylin Tezel, and starring Aylin Tezel. That’s…
A remarkable story: The Salt Path reviewed
The Salt Path is an adaptation of the best-selling book by Raynor Winn. It tells the true story of how…
Wes Anderson’s latest is as hollow as anything AI could come up with
AI is coming for everyone’s jobs, but especially mine. There is absolutely no good reason for The Spectator to keep…
Cinema has reached a nadir in the new Mission: Impossible
You have to time your arrival at cinemas carefully if you want to avoid the high-volume, rapid-fire edits of trailers…
Tantalisingly ambiguous – or just plain baffling: Hallow Road reviewed
An 80-minute film which for almost all of the time features two people in a car mightn’t sound particularly ambitious.…
What did Leni Riefenstahl know?
Leni Riefenstahl: what are we to make of her? What did she know? Often described as ‘Hitler’s favourite filmmaker’, she…
Confusing but highly watchable: Slade in Flame reviewed
Slade in Flame was glam-rock band Slade’s first foray into film – and also their last. It was a flop…
Dry retelling of the Odyssey – but Fiennes is ripped: The Return reviewed
Uberto Pasolini’s The Return stars Ralph Fiennes and Juliette Binoche in a retelling of the last section of Homer’s Odyssey.…
Never fully comes to life, alas: Mr Burton reviewed
Mr Burton is a biopic of Richard Burton’s early years and an origins story, if you like. It stars Harry…
I genuinely feared The End would never end
Joshua Oppenheimer’s The End is a ‘post-apocalyptic musical’ starring Tilda Swinton and Michael Shannon that is being sold as a…
Who wants a ‘girl boss’ Snow White?
Disney’s new Snow White is a live-action remake of the beloved 1937 classic that was cinema’s first full-length animated feature…
Cartoonish, sub-Armando Iannucci comic caper: Mickey 17 reviewed
Mickey 17 is the latest film from the South Korean writer-director Bong Joon-ho, who won an Oscar for Parasite and…
