Rupert Christiansen

Arts Council England and the war on opera

5 November 2022 7:04 pm

Instructed by the Department for Digital, Culture, Media and Sport to move money away from London and reassign it to…

One long moan of woe

29 October 2022 9:00 am

I was moved and shaken by Crystal Pite’s Flight Pattern when I first saw it in 2017. In richly visualised…

Flesh and fisticuffs

22 October 2022 9:00 am

Being of a squeamish sensibility and prejudiced by a low opinion of recent BBC drama, I can claim only a…

National disasters

24 September 2022 9:00 am

It is high time the Arts Council put ENO and ENB out of their misery, says Rupert Christiansen

Make mine a triple

24 September 2022 9:00 am

Good, better, best was the satisfying trajectory of Northern Ballet’s terrific programme of three original short works, which moves south…

Dieu de la danse

10 September 2022 9:00 am

I was never Rudolf Nureyev’s greatest fan. I must have seen him dance 30 or 40 times, starting with a…

Saved from slim pickings

27 August 2022 9:00 am

With the major companies largely on their summer breaks, the Edinburgh International Festival struggles to programme a high standard of…

A backward step

6 August 2022 9:00 am

Sick though one may be of the way that the poison dart of ‘woke’ is lazily flung at what is…

Vive la gloire

2 July 2022 9:00 am

The refurbishment of Paris’s galleries and museums continues apace, with money no object, finds Rupert Christiansen

Principle of Pan’s People

18 June 2022 9:00 am

I’ve always felt uncomfortably ambivalent about the work of Matthew Bourne. Of course, there is no disputing its infectious exuberance…

Sweet nothing

11 June 2022 9:00 am

How much weight of plot can dance carry? Balanchine famously insisted that there are no mothers-in-law in ballet, and masters…

Tango traduced

28 May 2022 9:00 am

Rambert ages elegantly: it might just rank as the world’s oldest company devoted to modern dance (whatever that term might…

Cut and thrust

30 April 2022 9:00 am

Sneer all you like at its prolixities and vulgarities but Kenneth MacMillan’s Mayerling remains a ballet that packs an exceptionally…

Tornado Tamara

9 April 2022 9:00 am

One wouldn’t want to be on the wrong side of Tamara Rojo. The most fearsome figure on the British dance…

Man up

2 April 2022 9:00 am

For an art form that once boldly set out to question conventional divisions of gender, ballet now seems to be…

Study in Scarlett

19 March 2022 9:00 am

Without fanfare or apology, the Royal Ballet appears to have rehabilitated Liam Scarlett, but what a tragic balls-up it has…

Driven to abstraction

25 September 2021 9:00 am

If Modernism is a jungle, how do you navigate a path through its thickets? Some explorers — Peter Gay and…

La Bayadère was first staged by Marius Petipa at the Bolshoi in 1877, to the music of Ludwig Minkus

Where would ballet be without Marius Petipa?

27 July 2019 9:00 am

Should the man on the Clapham omnibus ever turn his mind to ballet, he is bound to envisage the work…

Florence Foster Jenkins entertains at home

Deluded divas

7 May 2016 9:00 am

Were Florence Foster Jenkins and her fellow culprits touchingly heroic, cynically fraudulent or just plain bonkers? Rupert Christiansen reports