Meet the Mozarts
It’s 1771, you’re in Milan, and your 14-year-old genius son has just premièred his new opera. How do you reward…
Haydn seek
As Joseph Haydn was getting out of bed on the morning of 10 May 1809, a cannonball landed in his…
Bigamists, lunatics and adventurers
The world of 19th-century British music was raucous, but are there any masterpieces waiting to be rediscovered? wonders Richard Bratby
The alienation effect
‘People may say I can’t sing,’ said the soprano Florence Foster Jenkins, ‘but no one can ever say I didn’t…
Eurotrash Verdi
Verdi’s Luisa Miller is set in the Tyrol in the early 17th century, and for some opera directors that’s a…
Made for telly
It’s a sweltering night in Manhattan, circa 1947, and on the doorstep of a brownstone tenement three women are waiting…
Top bantz
So, you’ve fallen in love with a piece of classical music and you want to buy a recording. The problems…
Follow the lieder
‘Popular’ classical music is a relative term. Show me someone who thinks Beethoven is surefire box office, and I’ll show……
Warmth, energy and gripping momentum: Stephen Hough’s Wigmore Hall residency reviewed
In the summer of 1878 Johannes Brahms finally succeeded in growing a beard. It was his third attempt. ‘Prepare your…
Beer, sweat and jockstraps: the real history of the CBSO
In childhood, the theme tune to The Box of Delights was the sound of Christmas. The melody was ‘The First…
Don’t tell me model railways aren’t art. My little engine is a thing of spirit and beauty
It’s a summer day at Llangenydd station, and the afternoon train is already late, not that anyone seems to mind.…
Sadistic and repellent and thrilling: Mascagni’s Iris reviewed
If you’ve ever felt that poor Madama Butterfly had a bit of a raw deal, then you really, really don’t…
More misogynistic than the original: ENO’s Orpheus in the Underworld reviewed
It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped…
Simon Rattle’s Messiaen is improving with age
Two flutes, a clarinet and a bassoon breathe a chord on the edge of silence. As they fade, the sound…
Needed a shot of Stolichnaya: The Tchaikovsky Project reviewed
Grade: B+ I’m not sure about ‘Projects’. Aren’t those what ageing rockers produce, in a haze of sedatives, when their…
Why this première felt important: James MacMillan’s Fifth Symphony reviewed
All symphonies were sacred symphonies, once. Haydn began each day’s composition with a prayer, and ended every score with the…
Bracing and provocative – but would Wagner have approved? Arcola’s Rheingold reviewed
When it comes to the opening of Wagner’s Das Rheingold, Mark Twain probably put it as well as anyone: ‘Out…
It’s not fair – I liked Il segreto di Susanna before it was cool: OHP’s double bill reviewed
Should a secret pleasure ever be shared? Spoiler alert: Susanna’s secret, unknown to her husband Gil, is that she smokes.…






























