Should it stay or should it go?
There are many examples of beautiful old buildings being knocked down in favour of undistinguished new ones. But not everything can be preserved in aspic, says Martin Gayford
Grandeur and subtlety
The Victorian dictum ‘every picture tells a story’ is true of Paula Rego’s works, but it’s only part of the…
When two become one
‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it,…
From temples to labyrinths
At a certain point, the critic Robert Hughes once noted, at the heart of American cities churches began to be…
The Regent Canaletto
Quite late in life Walter Sickert paid his first visit to Peckham Rye. He was excited, apparently, because he had…
Missing the big picture
In 1953, Francis Bacon’s friends Lucian Freud and Caroline Blackwood were concerned about the painter’s health. His liver was in…
Whodunnit?
The Master of Flémalle was one of the first painters to depict in detail the reality of ordinary things. But who was he? Martin Gayford finds a prime suspect
Bright and beautiful
When he was a student, the celebrated American modernist master Robert Rauschenberg once told me that his ‘greatest teacher’ —…
Painting vs sculpture
In an extract from their book, Antony Gormley tells Martin Gayford that the 3-D will always trump the 2-D
Shiny blacks, fierce greys, strange whites
Alfred Wallis (1855-1942) should be an inspiration to all late starters. It was not until he had passed the age…
Of man’s first disobedience
Obviously, we’re living through an era of censorious puritanism. Granted, the contemporary creeds are different from those of the 16th…
Slavic adoration
If you want to see the very best of Gauguin and Matisse, go east. That was the case in 1914…
Rare and precious
Martin Gayford explains why the Royal Academy would be wrong to sell Michelangelo’s ‘Taddei Tondo’
Sex and corpses
A great temple of the goddess Tara can be found at Tarapith in West Bengal. But her true abode, in…
Look at the paint!
The hand is one of the first images to appear in art. There are handprints on the walls of caves…
…and of looking at real pictures again
One Sunday evening in the autumn of 1888 Vincent van Gogh and Paul Gauguin went for a walk. They headed…
Rooms with a view
Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing…
Small wonder
John Constable’s paintings of a tiny corner of rural Suffolk teach us to see the beauty on our doorstep, says Martin Gayford
‘I think I’ve found a real paradise’
Martin Gayford talks to David Hockney about life in the Norman countryside under quarantine, how the iPad is better than paint and brush, and why he is not a communist
Museums of the mind
Six months ago I published a book about travelling to look at works of art. One such journey involved a…
It’s grim up north
The strange and faintly sinister works of the Belgian artist Léon Spilliaert have been compared — not unreasonably — to…
Warts and all
Jan van Eyck changed the art of picture-making more fundamentally than anyone who has ever lived, says Martin Gayford
Martin Gayford visits the greatest one-artist show on Earth
For a good deal of this autumn, I was living in Venice. This wasn’t exactly a holiday, I’d like to…






























