When it comes to krautrock, it’s impossible not to mention the war
The wild and wonderful music that exploded from West Germany in the 1970s stemmed from a young generation’s determination to escape the trauma of the Nazi past
The data-spew about Bob Dylan never ends
In his latest volume of biography, Clinton Heylin spares us no details about Dylan’s misogyny and cranky obsessions during his almighty midlife crisis
A labour of love
A 2023 book about a 1987 film set in 1969, in which multiple characters mourn the end of an era, told through interviews, memorabilia and testimonials from besotted fans
Russia’s long history of smears, sabotage and barefaced lies
Mark Hollingsworth describes how the KGB became the world’s most industrious conspiracy-theory factory, with its agents of influence dedicated to sowing maximum confusion
The true superhero is Douglas Wolk – who has read through 27,000 Marvel comics
In March 1963, the Fantastic Four had a fractious encounter with Spider-Man and a dust-up with the Hulk — a…
The serious rows at Marvel Comics
If Marvel characters seem dysfunctional, just look at their creators, says Dorian Lynskey
Moby — from teetotal vegan to promiscuous party monster
In 2002 I flew to New York to interview the dance music producer whose 1999 release Play remains the bestselling…
How Eric Clapton’s racism sparked a musical revolution
On 13 August 1977, a demonstration by the National Front was routed in the streets of Lewisham by thousands of…
The futile gang wars of New York
I’ve interviewed a lot of rappers over the years and always feel a little grimy when I find myself nudging…
A countercultural upheaval
‘New York stories in a way are always real estate stories,’ says the journalist Alan Light in Lizzy Goodman’s bustling…
Big names and broken souls: storm clouds gather over Woodstock’s summer of love
In 1963, when the bloom was still on the rose, Bob Dylan described Woodstock as a place where ‘we stop…
The times really were a-changin’ — when Dylan electrified his fans
Five songs, only three of which were amplified. Thirty-five minutes, including interruptions. That’s how long Bob Dylan played for at…
Jerry Lee Lewis: interrogating ‘The Killer’
‘I ain’t never pretended to be anything,’ says the man they call the Killer. ‘I’ve lived my life to the…