Variations on a theme: To Paradise, by Hanya Yanagihara, reviewed
My daunting brief: to tell you about Hanya Yanagihara and her new, uncategorisable 720-page novel in 550 words. It’s the…
Anthony Holden is nostalgic for journalism’s good old bad old days
After a career spanning 50 years, 40 books and about a million parties, Anthony Holden has written a memoir. Based…
Reality and online life clash: No One is Talking About This, by Patricia Lockwood, reviewed
Some writers — Jane Austen, for example — get to funny sideways, using irony and understatement. The American poet and…
Aunt Munca’s murky past
Kiss Myself Goodbye. It sounds a bit like a William Boyd novel. It looks likea William Boyd novel, too: the…
Less radical, less rich: Elizabeth Strout’s Olive, Again is a disappointment
Elizabeth Strout’s Pulitzer-prize winning Olive Kitteridge (2008) is the novel I recommend to friends who don’t read much. Talk about…
Gen Xers v. Millennials: White, by Bret Easton Ellis, reviewed
Q: What’s worse than listening to someone ranting hysterically about Donald Trump? A: Listening to Bret Easton Ellis ranting hysterically…
How to be good
Suffering, wrote Auden, takes place ‘while someone else is eating or opening a window or just walking dully along’. His…
Tim Parks’s one-sided ‘love story’ is a long trudge in the rain
The title of Tim Parks’s 17th novel is false advertising, because Thomas and Mary: A Love Story is barely a…
The Butcher of Bosnia holes up in an Irish backwater
The cover of Edna O’Brien’s 17th novel sports a handsome quote from Philip Roth: ‘The great Edna O’Brien has written…
If there’d been a Gilbert and Sullivan opera about Roland Barthes, it might have sounded like John Banville’s The Blue Guitar
The Blue Guitar is John Banville’s 16th novel. Our narrator-protagonist is a painter called Oliver Orme. We are in Ireland,…
Fathers and sons — seen from multiple angles
‘People talk about their childhood and it’s so mundane. I don’t remember much about it, if I’m honest. I can’t…
