Alexandra Coghlan

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

Fossilised Figaro

24 September 2015 1:00 pm

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

Fossilised Figaro

24 September 2015 1:00 pm

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

Christopher Turner as Artemidoro, the romantic lead transformed into a raving hippy in Trofonio’s ‘cave’

Salieri’s revenge

25 July 2015 9:00 am

Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…

Shaw hand

11 July 2015 9:00 am

When is a rape not a rape? It’s an unsettling question — far more so than anything offered up by…

Show and Tell

4 July 2015 9:00 am

There’s no such thing as a tasteful rape scene — or there certainly shouldn’t be. It’s an act of grossest…

Béla Bartók recording folk songs with villagers in Hungary, 1907

Celebrations of song and humanity

6 June 2015 9:00 am

‘All my life, always and in every way, I shall have one objective: the good of Hungary and the Hungarian…

Polite pillage

16 May 2015 9:00 am

Forget the pollsters and political pundits — English National Opera called it first and called it Right when it programmed…

Falling down

18 April 2015 9:00 am

This week, some 200 years since Goya’s ‘The Disasters of War’, almost 80 years after Picasso’s ‘Guernica’, and over 50…

Hit parade

28 March 2015 9:00 am

Before the jukebox musical, back when Mamma Mia!, Jersey Boys and Viva Forever! were still dollar-shaped glints in an as-yet-unborn…

From one extreme to another

7 March 2015 9:00 am

When is an opera not an opera? How much can you strip and peel away, or extend and graft on…

To hell and back

17 January 2015 9:00 am

What a week to stage an opera about art’s power to challenge institutional authority, oppression — even death itself. Orfeo’s…

A cold coming

10 January 2015 9:00 am

You can tell a lot about a book from its bibliography. It’s the non-fiction equivalent of skipping to the final…

Too worthy? Peter Sellars’s staging of John Adams’s ‘Gospel’

From the sacred to the secular

29 November 2014 9:00 am

Terrorism; East-West diplomacy; nuclear war: John Adams’s operas have poured music into the faultlines of 21st-century global politics, and the…

Screwed up

25 October 2014 9:00 am

We all know that ‘They fuck you up your mum and dad’, but nowhere is this more reliably (and violently)…