It is at the Coliseum that I have seen the most wonderful Tristan and Isoldes of my life, both of them under Reginald Goodall, in 1981 and, even more inspired, in 1985. Neither was particularly well produced, but nothing stood in the way of the musical realisation, as complete as I can ever imagine its being.
Already a subscriber? Log in
Get 10 issues
for $10
Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.
- Delivery of the weekly magazine
- Unlimited access to spectator.com.au and app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in