Torben Betts is much admired by his near-namesake Quentin Letts for socking it to London trendies. Letts is one of the few individuals who enjoys the twin blessings of a Critics’ Circle membership card and a functioning brain so his views deserve serious attention.
The title of Betts’s 2012 play Muswell Hill shifts its target into the cross hairs with no subtlety whatsoever.
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