The current exhibition in the Sainsbury Wing claims to be a portrait of Vienna in 1900, but in fact offers rather an interesting survey of portraits made there from the 1830s to 1918. The gallery layout has been usefully adapted to display the work thematically rather than chronologically, which is more dynamic but stylistically confusing.
Already a subscriber? Log in
Get 10 issues
for $20
Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $20.
- Delivery of the weekly magazine
- Unlimited access to spectator.com.au and app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in