Theatre
‘The only place I can’t get my plays on is Britain’: Sir Peter Brook interviewed
‘Everyone of us knows we deserve to be punished,’ says the frail old man before me in a hotel café.…
A surefire international hit: Lungs reviewed
No power on earth can stop Lungs from becoming an international hit. Duncan Macmillan’s slick two-handed comedy reunites Matt Smith…
How did Richard Herring become the comedy podcast king?
What does it mean to be a successful comic? Richard Herring isn’t sure. He’s been a ‘professional funnyman’ for nearly…
A 90-minute slog up to a dazzling peak: ‘Master Harold’… and the boys reviewed
Athol Fugard likes to dump his characters in settings with no dramatic thrust or tension. A prison yard is a…
A hoot from start to finish: The Man in the White Suit reviewed
The Man in the White Suit, famously, is a yarn about yarn. A brilliant young boffin stumbles across an everlasting…
Circus routine rather than theatre: Noises Off reviewed
Michael Frayn’s backstage comedy, Noises Off, is the theatre’s answer to Trooping the Colour. Everyone agrees that it’s an amazing…
Flimsy and pretentious sketches: Caryl Churchill’s Glass. Kill. Bluebeard. Imp. reviewed
Caryl Churchill is back at the Royal Court with a weird collection of sketches. The first is set on a…
Is it time to give up on the Ibsen adaptations?
Pub quiz question: what do John Osborne, Brian Friel and Patrick Marber have in common? The answer is they’ve all…
A decorative pageant that would appeal to civic grandees: The Secret River reviewed
The Secret River opens in a fertile corner of New South Wales in the early 1800s. William, a cockney pauper…
Watching Stephen Fry was like being in the presence of a god
Stephen Fry lies prone on an empty stage. A red ball rolls in from the wings and bashes him in…
Tony Slattery is still a miraculously gifted comedian
Some of the marketing efforts by amateur impresarios up in Edinburgh are extraordinary. I was handed a leaflet for a…
Lap-dancing with ISIS, the real Monica Lewinsky and one of the strangest things I’ve ever seen: Edinburgh Fringe roundup
Clive Anderson’s show about Macbeth, ‘the greatest drama ever written’, offers us an hour of polished comedy loosely themed around…
These obscure Tennessee Williams scripts are classics of the future: Southern Belles reviewed
Games for Lovers feels like a smart, sexy TV comedy. Martha is still in love with her old flame Logan…
The play’s dated badly – but the horse is exquisite: Equus at Trafalgar Studios reviewed
Equus is a psychological thriller from 1973 which opens with a revolting discovery. An unbalanced stable-lad, Alan, spends his evenings…
Letters: Melissa Kite saved my life – twice
Leave we must Sir: It is interesting that as the Brexit process drags, people become more distanced from what was…
‘It could be a disaster’: Jim Broadbent talks to Stuart Jeffries about his latest role
‘I live completely anonymously,’ whispers Jim Broadbent down the phone from Lincolnshire. Nonsense, I counter. You’re one of the most…
A cartoonish look at migration: Europe at the Donmar reviewed
Europe. Big word. Big theme. It was used by David Greig as the title of his 1994 play about frontiers…
Do Greek plays really need a ‘modern twist’?
Rufus Norris, the National Theatre’s artistic director, has revealed that all those tedious ancient plays will from now on be…
A crowd-pleasing pantomime: Present Laughter at the Old Vic reviewed
Present Laughter introduces us to a chic, louche and highly successful theatrical globetrotter, Garry Essendine, whose riotous social life is…
A captivating freak-show: Bitter Wheat reviewed
Bitter Wheat, David Mamet’s latest play, features a loathsome Hollywood hotshot, Barney Fein, who offers to turn an actress into…
Oodles of fun – but unfair on climate sceptics: Kill Climate Deniers reviewed
Kill Climate Deniers is a provocative satire by Australian theatre-activist David Finnigan. The title sounds misanthropic and faintly deranged but…
Angry, cold, self-centred, opaque, disconnected and brutalising: Bronx Gothic reviewed
Sometimes it’s hard to describe a play without appearing to defame the writer, the performer and the theatre responsible for…
This Boris play only gets it half-right
The opening of Jonathan Maitland’s new play about Boris purports to be based on real events. Just before the referendum,…
One of the great whodunnits: Old Vic’s All My Sons reviewed
It starts on a beautiful summer’s morning in the suburbs of America. A prosperous middle-aged dad is chatting with his…
One of the most astonishing things I’ve ever seen in the theatre: A German Life reviewed
It starts at a secretarial college. The stage is occupied by a dignified elderly lady who recalls her pleasure at…
