Thea Musgrave
Spreads emotions like jam: Festen, at the Royal Opera House, reviewed
Mark-Anthony Turnage’s new opera Festen opened at Covent Garden earlier this month, and reader, I messed up. I broke my…
An exalted experience even without a convincing central character: Siegfried in Edinburgh reviewed
There’s one big problem with Wagner’s Siegfried, and the clue’s in the name. None of Wagner’s mature works hangs so…
