Scottish Opera
A cracking little 1967 opera that we ought to see more often
Ravel’s L’heure espagnole is set in a clockmaker’s shop and the first thing you hear is ticking and chiming. It’s…
Inspired: Scottish Opera’s Merry Widow reviewed
The Merry Widow was born in Vienna but she made her fortune in the West End and on Broadway. The…
A dancing, weightless garland of gems: Stephen Hough’s piano concerto reviewed
Stephen Hough’s new piano concerto is called The World of Yesterday but its second ever performance offered a dispiriting glimpse…
A lively and imaginative interpretation of an indestructible Britten opera
Scottish Opera’s new production of Albert Herring updates the action to 1990, and hey – remember 1990? No, not particularly,…
Bristol’s new concert hall is extremely fine
Bristol has a new concert hall, and it’s rather good. The transformation of the old Colston Hall into the Bristol…
Joyous freefall
The first part of the adventure was getting there. Out of the subway, past the tower blocks and under the…
Cut and thrust
Sneer all you like at its prolixities and vulgarities but Kenneth MacMillan’s Mayerling remains a ballet that packs an exceptionally…
Away with the fairies
Scottish Opera’s new production of Britten’s A Midsummer Night’s Dream seems to open in midwinter. Snow falls, fairies hurl snowballs…
Satisfaction guaranteed
‘Drammatico’, wrote César Franck over the opening of his Piano Quintet, and you’d better believe he meant it. The score…
Bring me sunshine
Comedy’s a funny thing. No, seriously, the business of making people laugh is as fragile, as mercurial as cryptocurrency —…
Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed
You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…
Opera North’s Tosca will leave you quivering
At the end of Act Two of Tosca there are some 30 bars of orchestral music — accompaniment to a…
Classy and classic
The Edinburgh International Festival began with a double helping of incest. Curiously, Greek — Mark-Anthony Turnage’s East End retelling of…
Divine comedy
You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…
Farewell, ENO
It’s easy to forget what a mess of an art form opera once was. For its first 100 years it…
Weaving wonder
One loom, six metres in length, currently dominates the great, light-filled weaving hall of Edinburgh’s renowned tapestry workshop, Dovecot Studios.…
























