Richard Ingrams
From Middlemarch to Mickey Mouse: a short history of The Spectator’s books and arts pages
The Spectator arts and books pages have spent 10,000 issues identifying the dominant cultural phenomena of the day and being difficult about them, says Richard Bratby
Letters: Nicholas Serota answers Toby Young on arts teaching
The power of creativity Sir: A rounded education should encourage creativity as well as maths, English, science and history if…
Alexander Chancellor’s diary: Picking golden oldies, Ken Dodd, and the sadness of Jack Nicholson
An excellent test of character is a person’s response to being offered an Oldie of the Year Award. There have…
The missed New Year opportunities I would have rowed the Atlantic for
Gstaad The very end of 2014 laid an egg, and an expensive one at that. I missed David Tang’s bash…
I think I’ve found a miracle cure for a bad back
I’ve had various ailments during my first 74 years — the worst being those induced by smoking, such as emphysema…
How I became editor of The Spectator - aged 27
Thirty years ago this Saturday, I became editor of this magazine. In the same month, the miners’ strike began, Anthony…
