Natalia Osipova

Rejoice at the Royal Ballet’s superb feast of Balanchine

5 April 2025 9:00 am

Any evening devoted to the multifaceted genius of George Balanchine is something to be grateful for, manna in the wilderness…

Irresistible: Osipova/Linbury reviewed

15 March 2025 9:00 am

One of the few indisputably great ballerinas of her generation, Natalia Osipova is a magnificent exemplar of the Russian school,…

Flesh and fisticuffs

22 October 2022 9:00 am

Being of a squeamish sensibility and prejudiced by a low opinion of recent BBC drama, I can claim only a…

Bar-room ballet

6 February 2021 9:00 am

Thank God for the fast-forward button. Sadler’s Wells had planned a tentative return to live performance last month but the…

A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed

2 November 2019 9:00 am

Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…

Natalia Osipova, cursed with a frightful Ascot fascinator, a Halloween shock-wig of black pipe cleaners, in Medusa as the Royal Opera House Credit: ©ROH, 2019 Photograph by Tristram Kenton

Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades

18 May 2019 9:00 am

Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…

Natalia Osipova as Mary Vetsera and Ryoichi Hirano as Rudolf in Mayerling

Why Mayerling is a #MeToo minefield

13 October 2018 9:00 am

Kenneth MacMillan’s Mayerling is a #MeToo minefield. Crown Prince Rudolf of Austria-Hungary is a serial seducer, a man of many…

Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed

18 November 2017 9:00 am

A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…

Fallen woman: Natalia Osipova as Amélie Gautreau

Notes on a scandal

20 February 2016 9:00 am

How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…

Gutted!

3 October 2015 9:00 am

There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…

Pulp fiction

1 August 2015 9:00 am

Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…

Woolf haul

23 May 2015 9:00 am

People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…

Sensual but not thrilling: Carlos Acosta as Basilio

No brainer

13 December 2014 9:00 am

One feels the pang of impending failure whenever the Royal Ballet ventures like a deluded Don Quixote into a periodic…

All was beauteous with the Royal Ballet’s ‘Symphonic Variations’ on the first night

Ballet’s battle royal

1 November 2014 9:00 am

English ballet erupted out of the second world war in the hands of the rival choreographers Frederick Ashton and Robert…

Great expectations

16 August 2014 9:00 am

Last week, the feast of long-awaited dance events on offer echoed bygone days when London life was dominated by the…

Natalia Osipova in the Royal Ballet’s ‘Connectome’, choreographed by Alastair Marriott

Living dance

26 July 2014 9:00 am

Giannandrea Poesio talks to Natalia Osipova about her ballet-based philosophy