Matthew Ball
Uninventive and far too polite: BRB’s Black Sabbath – The Ballet reviewed
Not being an aficionado of the heavy-metal genre, I snootily suspected that I would rather be standing in the rain…
Richly layered and intricate: Royal Ballet's The Dante Project reviewed
Where does the artist end and their work begin? Like 2015’s Woolf Works, Wayne McGregor’s new ballet swirls creator and…
Skirt-swishing and stomach-dropping: Ukrainian Ballet Gala, at Sadler's Wells, reviewed
Like musical supergroups and Olympic basketball teams, ballet galas tend to prize individual gifts over group cohesion. A recent one…
The Royal Ballet's return was joyous – but the presenter was gushing and witless
Mothballed since March when it danced a farewell Swan Lake, the Royal Ballet made a triumphant and joyous return to…
Unsettlingly faithful to the spirit of Schiele: Staging Schiele reviewed
‘Come up and see my Schieles.’ Those were the words that ended a friend’s fledgling relationship with an art collector.…
A masterclass of menace and magnificence: Romeo and Juliet reviewed
Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…
January as you would wish it: Royal Ballet’s Les Patineurs reviewed
The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…
Has the Royal Ballet found its hero?
The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…
