live music
Nick Cave’s right-hand man Warren Ellis on AI, Gorecki and staying young
In the next few days Nick Cave and the Bad Seeds play Leeds, Glasgow, Manchester and London. There are still…
Chrissie Hynde remains outstanding: the Pretenders, at Usher Hall, reviewed
A few hours before the doors opened for the Pretenders’ Edinburgh concert, Chrissie Hynde posted a message on her social…
I agree with pop’s war on iPhones – but King Canute might want a word
Before each show on the recent The The tour – reviewed in these pages last week – the pre-recorded voice…
At Las Vegas’s Sphere I saw the future of live arts
Does Elon Musk have a good eye for the aesthetic? Earlier this month, the Tesla magnate took a break from…
The world is on fire – yet navel-gazing still reigns in pop
There is no better cultural weather vane than pop. It’s not that pop singers possess incredible analytical skills – they…
How some of the most derided bands of all time are making a comeback
The fate of the pop musician – at least the pop musician below the top tier of stardom – has…
The Ava Gardner of the ketamine age: Lana Del Rey, at Leeds Festival, reviewed
As the American superstar starts singing another slow, sad, rather beautiful song, my mind begins to drift. I’m thinking that…
Triumphant: Big Thief, at Green Man, reviewed
One of the first things I learned after seeing Big Thief triumph at Green Man is that some long-time fans…
Fantastic – and genuinely indie: Personal Trainer, at the Shacklewell Arms, reviewed
Remember when we all knew what indie meant? Indie was what John Peel played. It was music that was recorded,…
Charismatic, powerful and raw: Patti Smith, at Somerset House, reviewed
There are certain long-established rules for describing Patti Smith. Google her name and the words ‘shaman’ and ‘priestess’ and you’ll…
Meet the musicians trying to revive French-language pop
The other day, I went to see a nouveau riot-girl band called Claire Dance play in a disused factory in…
Nickelback may not be cool but they are very good at what they do
In May 2013, Rolling Stone polled its readers in an attempt to discover which band might be crowned the worst…
The unstoppable rise of country music
When a major artist releases a new album, the first thing to follow is the onslaught of think pieces. And…
Lovely slice of Cosmic Scouse: Michael Head & the Red Elastic, at EartH, reviewed
One of the more bizarre but recurring tales about how the music of Liverpool has been shaped over these past…
Adrianne Lenker is a treasure for the ages
You could very well sum up their differing approaches to American roots music from how they were dressed. Both wore…
Why garage punk is plainly the apogee of human achievement
How is it that a group that sounds like the Hives are selling out the Apollo? In a world configured…
Never admit that your band is prog – it’s the kiss of death
Sensible prog-rock bands try to ensure no one ever realises they play prog. What happens when you are deemed a…
Drunk on devotion
The intimate acoustic show can denote many things for an established artist. One is that, in the infamous euphemism coined…
Uneasy listening
I have always been fascinated by artists who bounce between tonal extremes when performing, particularly the ones who serve their…
Salve Regina
We’ll get on to the brilliance of Regina Spektor in a moment. But first a question: why are pop music…
Matters of life and death
Seven years ago, I asked Bruce Springsteen what he meant when he talked of the covenant between himself and his…
A tale of two fortunes
Here’s a mystery for you. Why were Spoon, one of the most dynamic, sharpest rock bands in the world, playing…
Hoists, HD and horses
Scheduling open-air concerts in mid-May in northern Europe is a triumph of hope over experience. I last spent time with…
Back to black
Michael Hann on the most enduring of pop subcultures
Sons of a preacher man
A few years ago, I spoke to Mick Jagger and asked him which of the (relatively) new crop of rock…
