Harold Pinter

Sheila Hancock takes pride in her irascibility

11 June 2022 9:00 am

This book begins with Sheila Hancock wondering why she is being offered a damehood. I must say I slightly wondered…

Sophie Okonedo exudes sexiness and regality as Cleopatra in Antony and Cleopatra at the Olivier Theatre

After 1980 Pinter began to write like a student troll: Pinter at the Pinter reviewed

6 October 2018 9:00 am

The drop-curtain resembles a granite slab on which the genius’s name has been carved for all time. The festival of…

What a scorcher: bearing the brunt of Harold Pinter’s temper was one of life’s central experiences

The night I kissed Harold Pinter

22 September 2018 9:00 am

I think everyone was a little nervous of Harold. Including Harold, sometimes. He was affable, warm, generous, impulsive — and…

The 1958 world première of Pinter’s The Birthday Party at the Lyric Hammersmith: John Stratton as McCann, John Slater as Goldberg and Richard Pearson as Stanley

The last survivor of The Birthday Party’s 1958 première remembers the traumatic first night

17 February 2018 9:00 am

‘Mad, wearying and inconsequential gabble,’ sighed the Financial Times in 1958. ‘One quails in slack-jawed dismay.’ Here’s the FT at…

A monument of blithering stupidity: Zoë Wanamaker works wonders with Meg in The Birthday Party

Unlike most Pinter plays, this one doesn’t bore or baffle: The Birthday Party reviewed

27 January 2018 9:00 am

The Birthday Party is among Pinter’s earliest and strangest works. It deconstructs the conventions of a repertory thriller but doesn’t…

Glenn Close as Norma Desmond in ‘Sunset Boulevard’

I didn’t enjoy it but I couldn’t help loving it: Sunset Boulevard reviewed

9 April 2016 9:00 am

Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War…

American Buffalo at Wyndham’s reviewed: ‘magnificent, multicoloured, vast and tragic’

9 May 2015 9:00 am

David Mamet is Pinter without the Pinteresque indulgences, the absurdities and obscurities, the pauses, the Number 38 bus routes. American…

All radio drama should be as good as this Conrad adaptation

7 March 2015 9:00 am

The aching hum of crickets. The susurrus of reeds. The lapping of waves. The unmistakable noise of a sound technician…

You can't have Mojo and your money back

7 December 2013 9:00 am

In 1992 Quentin Tarentino gave us Reservoir Dogs. At a stroke he reinvented the gangster genre and turned it into…

British empire? What British empire?

9 November 2013 9:00 am

Here’s a tip for play-goers. When the curtain goes up on a garden, prepare for some feeble plotting. The glory…

Come to the Spectator office, Gareth Malone, and hear our 'Carmina Burana'

9 November 2013 9:00 am

They’re now televising proceedings from the Court of Appeal. Great. As if I didn’t have enough to do already, keeping…