George Grosz

‘The Acrobat Schulz V’ (1921), by Albert Birkle

Caricature, satire and over-the-top horror: Magic Realism at Tate Modern reviewed

25 August 2018 9:00 am

‘It is disastrous to name ourselves!’ So Willem de Kooning responded when some of his New York painter buddies elected…

‘Office at the Mühling prisoner-of-war camp’, 1916, by Egon Schiele

Animals, tourists and raptors: the hazards of being a plein-air artist

12 May 2018 9:00 am

A conservator at Kansas City’s Nelson-Atkins Museum was recently astonished to find a tiny grasshopper stuck in the paint of…

Hannah Höch – from Dada firebrand to poet of collage

1 March 2014 9:00 am

I suspect I am not alone in finding it surprising to encounter at the close of this exhibition an unexpected…

Frank Holl: a forgotten talent much admired by van Gogh

12 October 2013 9:00 am

The Watts Gallery, just outside Guildford off the Hog’s Back, is a delightful place to visit at any season, with…