Emanuel Ax
The rude, ripe tastelessness of John Eliot Gardiner’s Berlioz is the perfect antidote to Haitink’s Instagram Bruckner
Conducting is one of those professions — being monarch is perhaps another — where the less you do, the more…
Testosterone and passion: Royal Opera’s Marriage of Figaro reviewed
Another turn around the block for David McVicar’s handsome 1830s Figaro at the Royal Opera — the sixth since the…
The sound of no hands clapping
‘We’re going to live for ever!’ declares Robert Powell as Gustav Mahler at the end of Ken Russell’s 1974 biopic.…
