Drama
Netflix’s Adolescence is seriously flawed
Bradley Walsh: Egypt’s Cosmic Code may sound like a pitch by Alan Partridge – but, impressively, the programme itself manages…
I think I’ve found the perfect TV series
Drops of God is one of those gems of purest ray serene that cable TV prefers to keep hidden in…
The problem of back-story in drama
Olga in Three Sisters, the opening speech: ‘Father died just a year ago, on this very day – the fifth…
Stately, sly and well-mannered: BBC1’s Miss Austen reviewed
It is a truth universally acknowledged that lazy journalists begin every piece about Jane Austen with the words ‘It is…
Certainly intriguing: Apple TV+’s Prime Target reviewed
Needless to say, there have been any number of thrillers that rely on what Alfred Hitchcock called a MacGuffin: something,…
Playing Nice is beautifully done – but they miscalculated the opening scene
There must have been a time when slow-burn psychological thrillers didn’t start with a scene of high drama followed by…
A hit – but please don’t pretend it’s feminist: Disney+’s Rivals reviewed
For most of my adult life, clever, well-read, feminist women have told me how much they love Jilly Cooper. It…
A fashion series made by people who hate fashion: Apple TV+’s La Maison reviewed
I’m a bit disappointed – déçu, as we Francophiles like to say – with La Maison. When French TV drama…
A massive, joyous, sensational hit: Why Am I So Single? reviewed
Why Am I So Single? opens with two actors on stage impersonating the play’s writers Toby Marlow and Lucy Moss.…
The clue to Shakespeare’s sexuality lies in the sonnets
They are quite unlike any other sonnet sequence of the time and seem to be a kind of personal statement – written by a man with undeniable feelings for another man
Watching Queen Cleopatra felt like witnessing the death of scholarship
The most controversial aspect of Netflix’s new drama-documentary Queen Cleopatra – not least in Egypt – was the casting of…
Alienatingly sweet and warm: BBC2's The Newsreader reviewed
When TV makes shows about TV, it rarely has a good word to say for itself. In the likes of…
Who are these pathologically liberal rozzers? Channel 4's Night Coppers reviewed
Grizzled police officers of the old school should probably avoid Channel 4’s Night Coppers for reasons of blood pressure. Like…
The ancient Greek art of theatre criticism
Last week Lloyd Evans was wondering whether it was about time audiences started booing dramatic productions of which they disapproved.…
Shades of Tony Soprano: BBC1's The Responder reviewed
Older readers may remember a time when people signalled their cultural superiority with the weird boast that they didn’t watch…
Tells us more about today than the early 1960s: BBC1's A Very British Scandal reviewed
For people who like a good upper-class scandal (or ‘people’, as they’re also known), 1963 was definitely a vintage year.…
A blisteringly bonkers first episode: Doctor Who – Flux reviewed
BBC1 continuity excitedly introduced the first in the new series of Doctor Who as ‘bigger and better than ever’ —…
A highly polished exercise in treading water: Season 3 of Succession reviewed
At one point in an early Simpsons, Homer comes across an old issue of TV Guide, and finds the listing…
Bleak, unashamedly macho and grown-up: BBC2's The North Water reviewed
‘The world is hell, and men are both the tormented souls and the devils within it.’ This was the cheery…
Latest proof that western civilisation is over: Sky Atlantic's Domina reviewed
I’ve been looking at the reviews so far of Sky’s new Romans series Domina and none seems to have noticed…
Superb but depraved: BBC1’s The Serpent reviewed
The Serpent is the best BBC drama series in ages — god knows how it slipped through the net —…
Spare us David Hare
Having not watched television for nine months and already growing bored of the 1,000-piece jigsaw of General Alfredo Stroessner (part…
Funny, tender and properly horrible: Channel 4’s Adult Material reviewed
A woman is eating a pie in her car as it gets an automatic wash. Careful to keep the pie…