chamber music

Exuberance and class: Ariadne auf Naxos at Edinburgh International Festival reviewed

4 September 2021 9:00 am

For some reason, I’d got it into my head that the main work in the Gringolts Quartet’s midday recital at…

Alan Rusbridger on the joys of four-hand piano

19 December 2020 9:00 am

One of the few social activities not yet prohibited under lockdown laws is four-handed piano playing. I don’t mean sitting…

The joy of going to a real concert: OHP's Heart of Delight reviewed

22 August 2020 9:00 am

I went to a concert! Not a livestream or download: a real concert, with real musicians, a real conductor, a…

The joy of Haydn's string quartets – here are the best recordings

4 April 2020 9:00 am

As Joseph Haydn was getting out of bed on the morning of 10 May 1809, a cannonball landed in his…

Warmth, energy and gripping momentum: Stephen Hough’s Wigmore Hall residency reviewed

18 January 2020 9:00 am

In the summer of 1878 Johannes Brahms finally succeeded in growing a beard. It was his third attempt. ‘Prepare your…

Handsome and revivable but I wasn’t moved: Royal Opera’s Death in Venice reviewed

30 November 2019 9:00 am

Premièred within two years of each other, Luchino Visconti’s film and Benjamin Britten’s opera Death in Venice both take Thomas…

Why are Haydn’s operas so lousy? La fedelta premiata reviewed

16 November 2019 9:00 am

There’s a book about musicals that every opera lover should read. Not Since Carrie by Ken Mandelbaum is a history…

In his new piano concerto Thomas Ades’s inspiration has completely dried up

2 November 2019 9:00 am

There’s nothing like a good piano concerto and, sad to relate, Thomas Adès’s long-awaited first proper attempt at the genre…

Composer Amy Beach. Photo: Bridgeman Images

The forgotten masterpieces of Amy Beach

25 May 2019 9:00 am

At the Wigmore Hall last Friday, the Takacs String Quartet and Garrick Ohlsson played a piano quintet that was once…