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Incoherent and conspiracy-fuelled: Adam Curtis’s Can’t Get You Out of My Head reviewed
‘History,’ wrote Edward Gibbon, ‘is, indeed, little more than the register of the crimes, follies, and misfortunes of mankind.’ In…
The grotesque unevenness of Mozart’s Requiem
It is amazing what fine performances you can get beamed to your computer these days. Slightly less amazing is the…