Theatre
Blunt and bloody: ENO's Sweeney Todd reviewed
A wicked deception is sprung in the opening moments of this New York-originated concert staging of Stephen Sondheim and Hugh…
Bad Jews at the Arts Theatre reviewed: strange, raw, obsessive and brilliant
Bad Jews has completed its long trek from a smallish out-of-town venue to a full-scale West End berth. Billed as…
Shrapnel at the Arcola works for the slayers, not the slain
Quite a hit factory these days, the Hampstead Theatre. The latest candidate for West End glory is Hugh Whitemore’s bio-drama…
Radiant Vermin at the Soho Theatre reviewed: a barmy little sketch posing as a revolutionary satire
Philip Ridley is best known as the screenwriter of The Krays, in which Gary and Martin Kemp played Ronnie and…
The Armour at Langham Hotel reviewed: three new playlets that never get going
One of last year’s unexpected treasures was a novelty show by Defibrillator that took three neglected Tennessee Williams plays, all…
Why George Bernard Shaw was an overrated babbler
When I was a kid, I was taught by a kindly old Jesuit whose youth had been beguiled by George…
Muswell Hill reviewed: a guide on how to sock it to London trendies
Torben Betts is much admired by his near-namesake Quentin Letts for socking it to London trendies. Letts is one of…
How to Hold Your Breath, Royal Court, review: yet more state-funded misanthropy
‘We hate the system and we want the system to pay us to say we hate the system.’ The oratorio…
A tatty new theatre offers up a comic gem that’s sure to be snapped up by the BBC
New venue. New enticement. In the undercroft of a vast but disregarded Bloomsbury church nestles the Museum of Comedy. The…
Tom Stoppard’s The Hard Problem review: too clever by half
Big event. A new play from Sir Tom. And he tackles one of philosophy’s oldest and crunchiest issues, which varsity…
My Night With Reg at the Apollo Theatre reviewed: a great play that will go under without an interval
Gay plays crowd the theatrical canon. There are the necessary enigmas of Noël Coward, like The Vortex or Design For…
Young Vic’s Bull, review: a new Mike Bartlett play to bore you into catalepsy
A knockout show at the Young Vic. Literally. The stage has been reconfigured as a boxing ring to make Mike…
Old Vic’s Tree: Beckett plus Seinfeld - plus swearing
‘Fucking hell. You twat. Fuck off. Fuck. Fuck.’ These dispiriting words are the opening line of Tree, a newish play…
Young Vic's Golem: its status as a cult hit fills me with troubled wonder
The Young Vic produces shows that please many but rarely me. Its big hit of 2014, A Streetcar Named Desire,…
National Theatre’s 3 Winters: a hideous Balkans ballyhoo
A masterpiece at the National. A masterpiece of persuasion and bewitchment. Croatian word-athlete Tena Stivicic has miraculously convinced director Howard…
Panto season has arrived - and even the kids are turning their nose up at it
‘What is a panto?’ I asked my companion at the Hackney Empire’s Saturday matinee. ‘It’s basically a really bad play,’…
The recruitment company to go to if you've got no arms or legs
When to launch? For impresarios, this is the eternal dilemma. Autumn is so crowded with press nights that producers are…
The National’s latest attempt to cheer us up: three hours of poverty porn
Bombay is now called Mumbai by everyone bar its residents, whose historic name (from the Portuguese for ‘beautiful cove’) has…
Norman Mailer’s wife comes out of the shadows
‘It’s not as bad as I thought it would be,’ said Norman Mailer to his wife, Norris Church, after reading…
Yanks buy stacks of tickets in the West End. Why is Made in Dagenham so rude to them?
Go slow at Dagenham. The musical based on the film about a pay dispute in the 1960s starts as a…
An inept dud penetrates the Park Theatre’s dross-filters - and I blame Beckett
Jonah and Otto is a lost-soul melodrama that keeps its audience guessing. Where are we? The Channel coast somewhere. Indoors…
Neville's Island: a play from the era of Men Behaving Badly - when women were seen as exotic excrescences
Start with a joke. Neville’s Island. Get it? Laughing yet? Are your ribs splitting into pieces? It’s a cracker, isn’t…
Is London's West End Jewish enough for David Baddiel’s musical The Infidel?
David Baddiel has turned his movie, The Infidel, into a musical. The set-up is so contrived and clumsy that it…
Donmar’s Henry IV: Phyllida Lloyd has nothing but contempt for her audience
The age of ‘ladies first’ is back. Phyllida Lloyd reserves all the roles for the weaker sex, as I imagine…
Were the cast of the Old Vic’s Electra clothed by Oxfam?
First, a bit of background. Conquering Agamemnon slew his daughter, Iphigenia, in return for a fair wind to Troy. This…
